Gravures Anciennes
vendredi 27 mars 2015, 11h00
BERN - CANTON.-J.Schmidt, 1855. Alpaufzug im Berneroberland. Gouache, 33.5 x 47 cm. Black pen outer line, grey gouached margins. Entitled in the margin centre; signed and dated lower left. Gold frame. – In fine condition with fresh colours.
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BERN - CANTON.-Attributed to Johann Ludwig Bleuler (1792-1850) Der Brienzersee mit Blick auf den Susten. Gouache, 32 x 47 cm. Black brush outer line, and grey gouached margins. With topographic notations below the image: Hasliberg. Brienz. Susten. Oltschibach. Brienzersee. Giessbach. Framed. – The margins slightly cut, the lower margin slightly rubbed. The sky section stale in parts. Verso slight browning and some foxing. Otherwise good condition.
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BERN - CANTON.-Johann Martin Benz (1815-1882) after Andreas Keller, circa 1850. Vue prise de la Maison blanche. Coloured lithograph, 42 x 70 cm (image). Black pen outer line. Gold frame.
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BERN - CANTON.-Stuntz after Johann Joseph Hartmann (1753-1830), circa 1787. Vue de l'Isle St. Pierre sur le Lac de Bienne. Gouached outline etching, 27.7 x 42.3 cm. Gold frame. – Trimmed to the outer line and without text band. Otherwise with fresh colour.
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WAADT - CANTON.-Attributed to Johann Ludwig Bleuler (1792-1850). Panorama de Lausanne avec ses environs et le lac de Genève. Gouache, 32 x 48.5 cm. Black brush outer line. Gold frame. – Trimmed to the outer line. Soiled in upper section of the picture and with minor rubbing. Overall good condition.
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WAADT - CANTON.-Attributed to Emanuel Labhart (1810-1874). Montreux aux environs de Vevey au lac de Genève. Gouache, 32.5 x 46.5 cm. Black pen outer lines and grey gouached margins. Entitled below the image and inscribed: durch Kunstverlag v: E.Labhart in Feuerthalen bey Schaffhausen. Gold frame.- With barely visible vertical fold. Scattered minor scratches. Otherwise the colours fresh and in fine condition.
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BLEULER, JOHANN LUDWIG (Feuerthalen 1792 - 1850 Laufen Uhwiesen).Reunion du Rhin antérieur et du Rhin posterieur à Reichenau. Gouache, 33 x 48.2 cm. Black brush outer line and grey gouached margins. Entitled and inscribed in the margin: par Louis Bleuler à Schaffhouse en Suisse. Framed. – Overall good condition.
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JUILLERAT, JACQUES HENRI (Motier 1777 - 1860 Bern).Alpengletscher bei Grindelwald, 1820. Watercolour, 44 x 37 cm. Black pen outer line. Signed and dated on lower margin: Juillerat fecit 1820. In gold frame from the period.
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Attributed to BLEULER, JOHANN LUDWIG (Feuerthalen 1792 - 1850 Laufen Uhwiesen).Lausanne vue prise depuis Montbenon. Gouache, 40 x 62 cm. With grey gouached margins. Entitled below the image in black pen, inscribed (signed?) lower left: Bleuler fecit. Gold frame. – Overall good condition.
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ZURICH.-Johann Jakob Wetzel (1781-1834). Vue de Zurich prise du Zurichhorn. Aquatint etching with original colour. 19.3 x 27.5 cm. Gold frame. – Trimmed to the image. Original mount. With engraved title on centre of mount. Scattered foxing. Very good condition.
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ITALY. -Lot of two views, circa 1850. 1.Veduta del Castello di Baja, con Avanzi del Tempio di Vennere. 2. Veduta del Lago di Averna e Tempio di Apollo. Gouaches, heightened with white. Each 32.5 x 50 cm. Black brush outer lines and black-grey gouached margins. Both sheets entitled on centre bottom margin in white crayon. Both views with old inscription verso in brown pen: Zwingli. In frames of the period as a pair. With scattered insignificant rubbing in the margins, minor traces of handling. Overall in fine condition with fresh colour.
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CONSTANTINOPEL.-Matthäus Merian (1593-1650). Constantinopolis - Constantinopolis Urbis Effigies, ad Vivum Expressa ... , circa 1635/50. Copper engraving, 23 x 70 cm (printed from two plates). – With margin around the plate edge. The vertical central fold somewhat browned. The broad margins with light wear and scattered minor tears. Overall good condition.
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VENICE.-Matthäus Merian (1593-1650). Venetia, 1641. Copper engraving, 30,7 x 71 cm (printed from two plates). With engraved title and inscription within the image. – Small margin around the plate edge, light vertical creases, the vertical central fold slightly browned, minor browning in parts, scattered minor defects. Overall good condition.
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ROBERTS, DAVID (Stockbridge 1796 - 1864 London).Lot of two views: 1. Isle of Graia, Gulph of Akabah, 1844. Watercoloured lithograph, 34.6 x 50.8 cm (sheet size: 40.5 x 60.5 cm). London, by E.G.Moon 1844. 2. Gaza. March 21st 1839. Watercoloured lithograph. 34.8 x 50 cm (sheet size: 40 x 60.5 cm. London, published by F.G. Moon ...1843.
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GOLTZIUS, HENDRIK (Bracht 1558 - 1617 Haarlem).Pieta, 1596. Copper engraving, 18.5 x 12.7 cm. Monogrammed centre bottom: HG. Dated on right hand margin: A 96. Bartsch 41; Strauss 331 II (of II). Old frame. Very fine, strong, even and clear impression. Trimmed mostly to the plate edge, which is visible in places. Minor foxing, remains of old mount verso. Overall fine condition. Provenance: Collection of C.Moyaux (1835-1911), Paris, Lugt 1829 a.
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WIERIX, HIERONYMUS (1551 Antwerp 1619).Melancholia. Copper engraving after Albrecht Dürer (1471-1528). 23.8 x 18.8 cm. Engraved inscription on lower margin: Johan Wirix fecit ann 1602. Alvin 1576; Mauquoy-Hendrickx 1556. – Fine impression with small margin around the clearly visible plate edge. Small paper loss on the upper left and lower left corners, reaching as far as the image. Otherwise in very fine condition.
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WIERIX, HIERONYMUS (circa 1553 Antwerp 1619).After Albrecht Dürer (1471-1528). Der hl. Hieronymus im Gehäus. Copper engraving on laid paper with watermark: crowned coat of arms, 24.3 x 18.5 cm. Alvin 992; Mauquoy-Hendrickx 1205; Hollstein 1248 I (of III). – Excellent, well-defined, strong and even impression. With a fine margin around the image. The upper and lower right corners each with professional restorations. Overall good condition.
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DÜRER, ALBRECHT (1471 Nuremberg 1528).Joachims Opfer wird vom Hohenpriester zurückgewiesen. Circa 1504. From the Life of Mary. Wood cut on fine laid paper with watermark (unidentified). 29.7 x 21.3 cm. Bartsch 77; Meder 189 probably III g (of III g, without text). – Very fine, strong, strong black and clear impression with a fine margin around the outer line, which has been retraced in parts in black pen. Two corners with small pin holes. Scattered stains, verso minor remains of old mount. Very good condition.
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BOOK ILLUMINATION.-A single sheet from a French book of hours, circa 1520 with a depiction of the raising of Lazarus. Gouache on vellum, 9.9 x 6.6 cm. Below the image a four-line text with illuminated initial D. The margins edged with borders of lilies; with a skull on the lower margin. Verso text in Latin with further small initials. Framed.
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BEHAM, HANS SEBALD (Nuremberg 1500- 1550 Frankfurt a.M.)Paris reicht den Apfel, 1546. Copper engraving, 7.1 x 4.7 cm. Bartsch 89; Pauli 92 II (of II). – Even impression with fine margin around the plate edge. With minor paper loss on lower left corner. Overall good condition. Also included: same artist. Cimon und Pero, 1544. Copper engraving, 7.2 x 4.8 cm. Bartsch 75; Pauli 79 III (of III). Fully backed onto laid paper. With approx 2 cm tear, which extends as far as the head of Pero.
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DÜRER, ALBRECHT (1471 Nuremberg 1528).Der Schmerzensmann an der Säule, 1509. (The Man of Sorrows at the Column).The title page of the Engraved Passion series. Copper engraving, 11.9 x 7.4 cm. Bartsch 3; Meder 3 probably d (of e, with faint scratch on the toes left, but without the vertical scratch on the doorway). Mostly clear impression with small margin around the plate edge. Fully backed with Japan paper. Attached at the top on backing board. Some minor foxing in parts, and with slight wear. One defect on upper right margin, reaching just as far as the image, a further defect on the lower right margin, also reaching as far as the image. Despite these issues, in overall good condition.
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DENTE, MARCO DA RAVENNA (Ravenna 1486/1500 - 1527 Rome).Venus von einem Rosendorn verletzt.(Venus wounded by a rose thorn). Circa 1516. Copper engraving, 26.8 x 17.5 cm. Bartsch 321 II/III. Engraved inscription lower right: Giovanni Paluzzi Formis Roma. Impression circa 1600/1610. – Dark black and clearly defined impression with small margin around the clearly visible plate edge. Minor browning. Overall in very good condition.
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ITALIAN, 16TH CENTURY.Probably after Giulio Romano (1499-1546). Cloelia überquert den Tiber auf dem Rücken eines Pferdes. (Cloelia crossing the Tiber on the back of a horse) Copper engraving, 40 x 55 cm. Engraved inscription on lower margin: Julius Romanus Inventor. With old collectors‘ numbers.- Very fine, strong and even impression. With scattered paper damage in the broad margins. Overall good condition.
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GHISI, GIORGIO MANTOVANO (1512 Mantua 1582).After Giulio Romano, 1573/74. Amor and Psyche. Copper engraving, 31.8 x 23.2 cm. Bartsch 45; Lewis/Lewis 50 IV (before the reduction of the plate on the upper edge). – Trimmed on upper and lower margin as far as the plate edge, on the left and right sides trimmed to the image. With trace of horizontal crease, attached by the corners to backing board. Overall good condition.
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GHISI, GIORGIO MANTOVANO (1512 Mantua 1582).Herkules Viktorius über dem Haupt der Hydra. Circa 1558. Copper engraving after Givanni Battista Bertani. 34 x 20.4 cm. Bartsch 44; Lewis/Lewis 24. – Even and clear impression. Mostly trimmed to the image, sometimes trimmed into the image. Fully backed with laid paper. Several closed defects. Paper loss to the lower right corner. Traces of red chalk in parts; tiny brown spots and some wear. Despite these issues, still a good overall impression. Very rare.
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