Lot 3039* - A208 Tableaux de Maîtres Anciens - vendredi, 22. mars 2024, 14h00
Studio of JAN DAVIDSZ. DE HEEM
(Utrecht 1606–1684 Antwerp)
Still life with peaches, grapes, a peeled lemon, a melon and other fruit, with oysters and a pipe on a pewter plate, on a wooden table. 1654.
Oil on panel.
36.5 × 55.5 cm.
Provenance:
- Collection of Frau Hintze, Berlin, 1925 (DM 6000)
- Collection of Dr Heilgendorff, Berlin, circa 1930.
- Collection of Heinz Kuckei, Berlin.
- By descent, European private collection.
Exhibited:
Berlin 1984, Holländische Malerei aus Berliner Privatbesitz, Kaiser-Friedrich-Museums-Verein und Gemäldegalerie, 1984/5, no. 64 (as Joris van Son).
Literature:
- Jan Kelch und Ingeborg Becker: Holländische Malerei aus Berliner Privatbesitz, exh.cat. Kaiser-Friedrich-Museums-Verein und Gemäldegalerie, Berlin 1984, pp. 130–131, no. 64.
- Fred G. Meijer: Jan Davidsz. de Heem (1606–1684), Amsterdam 2016, p. 163, no. A62 (as attributed to Cornelis de Heem).
Dr Fred G. Meijer dates the present painting, which he examined in the original in 2008, to 1654 and emphasises that it was inspired by Jan Davidsz. de Heem's still lifes from 1652-53, which are now in the National Trust in Tatton Park (inv. no. 1298189) and in the Los Angeles County Museum of Art (inv. no. M.86.95). While in his 2016 dissertation Dr Meijer still considered the authorship to be that of the son Cornelis de Heem (1631-1695), he now assumes that it was created in the studio of Jan Davidsz. De Heem, possibly with the involvement of Johannes Hannot (1633-1684).
- Collection of Frau Hintze, Berlin, 1925 (DM 6000)
- Collection of Dr Heilgendorff, Berlin, circa 1930.
- Collection of Heinz Kuckei, Berlin.
- By descent, European private collection.
Exhibited:
Berlin 1984, Holländische Malerei aus Berliner Privatbesitz, Kaiser-Friedrich-Museums-Verein und Gemäldegalerie, 1984/5, no. 64 (as Joris van Son).
Literature:
- Jan Kelch und Ingeborg Becker: Holländische Malerei aus Berliner Privatbesitz, exh.cat. Kaiser-Friedrich-Museums-Verein und Gemäldegalerie, Berlin 1984, pp. 130–131, no. 64.
- Fred G. Meijer: Jan Davidsz. de Heem (1606–1684), Amsterdam 2016, p. 163, no. A62 (as attributed to Cornelis de Heem).
Dr Fred G. Meijer dates the present painting, which he examined in the original in 2008, to 1654 and emphasises that it was inspired by Jan Davidsz. de Heem's still lifes from 1652-53, which are now in the National Trust in Tatton Park (inv. no. 1298189) and in the Los Angeles County Museum of Art (inv. no. M.86.95). While in his 2016 dissertation Dr Meijer still considered the authorship to be that of the son Cornelis de Heem (1631-1695), he now assumes that it was created in the studio of Jan Davidsz. De Heem, possibly with the involvement of Johannes Hannot (1633-1684).
CHF 10 000 / 15 000 | (€ 10 310 / 15 460)
Vendu pour CHF 16 250 (frais inclus)
Aucune responsabilité n'est prise quant à l´exactitude de ces informations.