Lot 3492* - A187 PostWar & Contemporary - samedi, 08. décembre 2018, 14h00
MIRA SCHENDEL
(Zurich 1919 - 1988 São Paulo)
Untitled (from the series: Silver and gold small squares/Quadradinho de oura e prata). 1982.
Gold leaf, charcoal and oil on firm paper.
Signed and dated lower right: Mira 82.
38 x 23.5 cm.
Provenance:
- Purchased from the artist, private collection Brasil.
- By descent to the present owner, since then private collection USA.
Born in Zurich in 1919 to a Jewish family of Italian-German origins, Myrrha Dagmar Dub grew up in Milan. The growth of Fascism in Europe forced her to flee first to Sofia in 1930 and then later to Sarajevo. In 1944 she returned to Italy and then emigrated to Brazil in 1949. Only then did the former philosophy student begin to dedicate herself to art.
In Brazil in the 1950s there raged a passionate debate about the significance of art in a modern post war society. On the one side stood the defenders of figurative art, which was seen as the symbol of nationalism and revolution; on the other side were the supporters of abstraction, which was seen as a unique opportunity for the renewal of art after the experiences of the war.
Mira Schendel was influenced by both sides, but in the end turned to neither group. Starting with figurative work, she turned again and again to abstraction, in which her distinct interest in materiality played a great role. Above all, for her the making of a work – the handmade element – represented a connection between the real world and the artist. The present work from 1982 powerfully demonstrates her love of experimentation, with the use of various types of paper, and the meaning of materiality within her work.
Alongside Lygia Clark and Hélio Oiticica, Mira Schendel is one of the most important Brazilian artists of the second half of the 20th century.
- Purchased from the artist, private collection Brasil.
- By descent to the present owner, since then private collection USA.
Born in Zurich in 1919 to a Jewish family of Italian-German origins, Myrrha Dagmar Dub grew up in Milan. The growth of Fascism in Europe forced her to flee first to Sofia in 1930 and then later to Sarajevo. In 1944 she returned to Italy and then emigrated to Brazil in 1949. Only then did the former philosophy student begin to dedicate herself to art.
In Brazil in the 1950s there raged a passionate debate about the significance of art in a modern post war society. On the one side stood the defenders of figurative art, which was seen as the symbol of nationalism and revolution; on the other side were the supporters of abstraction, which was seen as a unique opportunity for the renewal of art after the experiences of the war.
Mira Schendel was influenced by both sides, but in the end turned to neither group. Starting with figurative work, she turned again and again to abstraction, in which her distinct interest in materiality played a great role. Above all, for her the making of a work – the handmade element – represented a connection between the real world and the artist. The present work from 1982 powerfully demonstrates her love of experimentation, with the use of various types of paper, and the meaning of materiality within her work.
Alongside Lygia Clark and Hélio Oiticica, Mira Schendel is one of the most important Brazilian artists of the second half of the 20th century.
CHF 4 000 / 6 000 | (€ 4 120 / 6 190)
Vendu pour CHF 10 625 (frais inclus)
Aucune responsabilité n'est prise quant à l´exactitude de ces informations.