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Grafica antica

venerdì 21 settembre 2012, 11h00

LAUSANNE.-Himely after Jean-Baptiste Dubois (1789-1849). Lausanne & les Alpes Vaudoises. Original coloured aquatints etching, 37.8 x 58 cm. Partly heightened with egg white. Gold frame. - Cut to image. Outer line in black pen. Minor foxing and slightly browned in upper section of picture. Overall good condition.

Lotto 3503 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

LAUSANNE.-Himely after Jean-Baptiste Dubois (1789-1849). Lausanne & les Alpes Vaudoises. Original coloured aquatints etching, 37.8 x 58 cm. Partly heightened with egg white. Gold frame. - Cut to image. Outer line in black pen. Minor foxing and slightly browned in upper section of picture. Overall good condition.

Himely nach Jean-Baptiste Dubois (1789-1849). Lausanne & les Alpes Vaudoises. Altkol. Aquatintaradierung, 37,8 x 58 cm. Mit Eiweiss partiell gehöht. Echtgoldrahmung. - Bis zur Darstellung beschnitten. Die Einfassungslinie mit schwarzer Feder. Minim stockfleckig und im oberen Bildbereich wenig gebräunt. Insgesamt in guter Erhaltung.

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BASEL.-Anonymous, circa 1830/40. View of Basel. Pen and watercolour. 23.7 x 31.5 cm. Framed.

Lotto 3504* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

BASEL.-Anonymous, circa 1830/40. View of Basel. Pen and watercolour. 23.7 x 31.5 cm. Framed.

Anonym, um 1830/40. Blick auf Basel. Feder, Aquarell. 23,7 x 31,5 cm. Gerahmt.

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VEVEY.-Himely after Jean-Baptiste Dubois (1789-1849). Vevey et le Fond du Lac,/ entrée du Rhône Dans le Lac du Genéve. Aquatint etching with original colour, 34.2 x 59 cm. Partly heightened with egg white. Gold frame. - Cut as far as image. Outer line in black pen. Slightly foxed and slightly browned in upper section. Overall good condition.

Lotto 3505 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

VEVEY.-Himely after Jean-Baptiste Dubois (1789-1849). Vevey et le Fond du Lac,/ entrée du Rhône Dans le Lac du Genéve. Aquatint etching with original colour, 34.2 x 59 cm. Partly heightened with egg white. Gold frame. - Cut as far as image. Outer line in black pen. Slightly foxed and slightly browned in upper section. Overall good condition.

Himely nach Jean-Baptiste Dubois (1789-1849). Vevey et le Fond du Lac,/ entrée du Rhône Dans le Lac du Genéve. Altkol. Aquatintaradierung, 34,2 x 59 cm. Mit Eiweiss partiell gehöht. Echtgoldrahmung. - Bis zur Darstellung beschnitten. Die Einfassungslinie mit schwarzer Feder. Leicht stockfleckig und im oberen Bildbereich wenig gebräunt. Insgesamt in guter Erhaltung.

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SCHAFFHAUSEN - RHINE FALLS.-Anonymous, circa 1850. Der Rheinfall bei Schaffhausen. Watercolour, 40 x 52 cm. Outer line in black pen. Gold frame. - In very fine condition with fresh colours.

Lotto 3507 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

SCHAFFHAUSEN - RHINE FALLS.-Anonymous, circa 1850. Der Rheinfall bei Schaffhausen. Watercolour, 40 x 52 cm. Outer line in black pen. Gold frame. - In very fine condition with fresh colours.

Anonym, um 1850. Der Rheinfall bei Schaffhausen. Aquarell, 40 x 52 cm. Die Einfassungslinie mit schwarzer Feder. Echtgoldrahmung. - In sehr schöner, farbfrischer Erhaltung.

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MEIER, JOHANN JACOB (Meilen 1787 - 1858 Zürich).View of Rüti from the north west, 1851. Watercolour, 25.5 x 35.5 cm (image). Signed lower left and right in brown pen: J.J.Meier. Old inscription verso on back: Rüti (Kt. Zürich) gemalt 1851. Gold frame. - Rare views. Evenly browned and somewhat faded. Overall good condition.

Lotto 3509 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

MEIER, JOHANN JACOB (Meilen 1787 - 1858 Zürich).View of Rüti from the north west, 1851. Watercolour, 25.5 x 35.5 cm (image). Signed lower left and right in brown pen: J.J.Meier. Old inscription verso on back: Rüti (Kt. Zürich) gemalt 1851. Gold frame. - Rare views. Evenly browned and somewhat faded. Overall good condition.

Blick auf Rüti aus nordwestlicher Richtung, 1851. Aquarell, 25,5 x 35,5 cm (licht). Mit brauner Feder unten links und rechts signiert: J.J.Meier. Verso auf der Rückwand alt bezeichnet: Rüti (Kt. Zürich) gemalt 1851. Echtgoldrahmung. - Seltene Vedute. Gleichmässig gebräunt und etwas verblasst. Insgesamt gut erhalten.

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DELKESKAMP, FRIEDRICH WILHELM (Bielefeld 1794 - 1872 Frankfurt).Reichenbachtal near Meiringen with figures and animals and an artist drawing in the foreground. Circa 1828. Grey and black pen, with watercolour. 52.5 x 37.8 cm. Old mount. Outer line in black pen. Signed in black pen lower right below image: F.W. Delkeskamp nach der Natur gezeichnet. With expertise by grandchild of the artist. - Even light browning and some foxing. Overall good condition.

Lotto 3510* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

DELKESKAMP, FRIEDRICH WILHELM (Bielefeld 1794 - 1872 Frankfurt).Reichenbachtal near Meiringen with figures and animals and an artist drawing in the foreground. Circa 1828. Grey and black pen, with watercolour. 52.5 x 37.8 cm. Old mount. Outer line in black pen. Signed in black pen lower right below image: F.W. Delkeskamp nach der Natur gezeichnet. With expertise by grandchild of the artist. - Even light browning and some foxing. Overall good condition.

Das Reichenbachtal bei Meiringen mit Personen und Tierstaffage, im Vordergrund der Künstler beim Zeichnen. Um 1828. Feder in Grau und Schwarz, Aquarell. 52,5 x 37,8 cm. Alte Montierung. Die Einfassungslinie mit schwarzer Feder. Unterhalb der Darstellung unten rechts mit schwarzer Feder signiert: F.W. Delkeskamp nach der Natur gezeichnet. Mit einer Expertise des Enkels des Künstlers. - Gleichmässig leicht gebräunt und dezent stockfleckig. Insgesamt in guter Erhaltung.

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Attributed to BLEULER, JOHANN HEINRICH the younger (Zollikon 1787-1857 Feuerthalen).Lake Lucerne, circa 1820/25. Coloured etching. 42.5 x 61 cm. Outer line in black pen and grey gouached margin. Old title in brown pen lower right within the image. Gold frame. - Somewhat browned in places. Slightly faded. Small water stain in lower margin. - Rare.

Lotto 3512 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

Attributed to BLEULER, JOHANN HEINRICH the younger (Zollikon 1787-1857 Feuerthalen).Lake Lucerne, circa 1820/25. Coloured etching. 42.5 x 61 cm. Outer line in black pen and grey gouached margin. Old title in brown pen lower right within the image. Gold frame. - Somewhat browned in places. Slightly faded. Small water stain in lower margin. - Rare.

Brunnen am Vierwaldstättersee, um 1820/25. Kol. Umrissradierung, 42,5 x 61 cm. Die Einfassungslinie mit schwarzer Feder und grau gouachiertem Rand. Innerhalb der Darstellung mit brauner Feder unten rechts alt betitelt. Echtgoldrahmung. - Stellenweise etwas gebräunt. Leicht verblasst. Im unteren Rand kleiner Wasserfleck. - Selten.

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USTER, JOHANN HEINRICH II. (Zollikon 1774 - 1866 Feuerthalen).Chalet in Grindelwald with view of the Wetterhorn. Gouache, 34 x 48 cm. Inscribed in black pen on lower margin left and right: Dess. & peint d'après la nature par J. Henri Uster à Feuerthalen près de Schaffhouse. Outer line in black pen and grey gouached margin. The margin cut on all sides, only remains of handwritten title on lower margin are still visible. The sheet slightly waved. A few scattered spots. The colours fresh and the image in overall good condition.

Lotto 3515* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

USTER, JOHANN HEINRICH II. (Zollikon 1774 - 1866 Feuerthalen).Chalet in Grindelwald with view of the Wetterhorn. Gouache, 34 x 48 cm. Inscribed in black pen on lower margin left and right: Dess. & peint d'après la nature par J. Henri Uster à Feuerthalen près de Schaffhouse. Outer line in black pen and grey gouached margin. The margin cut on all sides, only remains of handwritten title on lower margin are still visible. The sheet slightly waved. A few scattered spots. The colours fresh and the image in overall good condition.

Chalet bei Grindelwald mit Blick auf das Wetterhorn. Gouache, 34 x 48 cm. Am unteren Rand links und rechts mit schwarzer Feder bezeichnet: Dess. & peint d'après la nature par J. Henri Uster à Feuerthalen près de Schaffhouse. Die Einfassungslinie mit schwarzer Feder und grau gouachiertem Rand. - Der Rand umlaufend stärker beschnitten, vom handschriftlichen Titel des unteren Randes nur noch Reste sichtbar. Das Blatt leicht gewellt. Wenige einzelne Fleckchen. Die Farben frisch und die Darstellung insgesamt in guter Erhaltung.

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LORY, MATHIAS GABRIEL (LORY FILS) (1784 Bern 1846). Two views: 1. Vue du Sion prise du Côté du Levant. 2. Vue du Sion prise du Côté du Couchant. Coloured aquatint etchings. Each 19.8 x 28.4 cm. Gold frames.

Lotto 3519* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

LORY, MATHIAS GABRIEL (LORY FILS) (1784 Bern 1846). Two views: 1. Vue du Sion prise du Côté du Levant. 2. Vue du Sion prise du Côté du Couchant. Coloured aquatint etchings. Each 19.8 x 28.4 cm. Gold frames.

Zwei Ansichten: 1. Vue du Sion prise du Côté du Levant. 2. Vue du Sion prise du Côté du Couchant. Kolorierte Aquatintaradierungen. Jeweils 19,8 x 28,4 cm. Echtgoldrahmungen.

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THOMANN, JOHANN (1778 Zurich 1836).Burg Reusegg. Pen and brush in grey. 25.7 x 37.3 cm. Old inscription verso: Burg Reussegg, eine getuschte Zeichnung von J. Thomann 1816. Framed.

Lotto 3520* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

THOMANN, JOHANN (1778 Zurich 1836).Burg Reusegg. Pen and brush in grey. 25.7 x 37.3 cm. Old inscription verso: Burg Reussegg, eine getuschte Zeichnung von J. Thomann 1816. Framed.

Burg Reusegg. Feder und Pinsel in Grau. 25,7 x 37,3 cm. Verso alt bezeichnet: Burg Reussegg, eine getuschte Zeichnung von J. Thomann 1816. Gerahmt.

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SCHEUCHZER, JOHANN JAKOB (1672 Zurich 1733).Nova Helvetiae tabula geographica, illustrissimis et potentissimis cantonibus et rebuspublicis reformatae religionis Tigurinae, Bernensi, Glaronensi, Basiliensi, Scaphusianae, Abbatis Cellanae, dominis suis clementissimis humillime dicata ... Ioh. Melch. Fusslin ornamenta pinx.; Ioh. Henr. Huber et Eman. Schalch sculp. - Copper engraved map of Switzerland. Zurich, 1712/13 (probably second proof by Johannes Hofmeister, 1765). - The 4 map sheets as a mounted as a full map on linen. Total size 117 x 152 cm. Slight browning, dusty and some finger soiling. Small scattered tears, closed when mounted on linen. The corners with small pin holes. The linen backing partly torn at the creases and slightly waved. Overall still in good condition.

Lotto 3521 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

SCHEUCHZER, JOHANN JAKOB (1672 Zurich 1733).Nova Helvetiae tabula geographica, illustrissimis et potentissimis cantonibus et rebuspublicis reformatae religionis Tigurinae, Bernensi, Glaronensi, Basiliensi, Scaphusianae, Abbatis Cellanae, dominis suis clementissimis humillime dicata ... Ioh. Melch. Fusslin ornamenta pinx.; Ioh. Henr. Huber et Eman. Schalch sculp. - Copper engraved map of Switzerland. Zurich, 1712/13 (probably second proof by Johannes Hofmeister, 1765). - The 4 map sheets as a mounted as a full map on linen. Total size 117 x 152 cm. Slight browning, dusty and some finger soiling. Small scattered tears, closed when mounted on linen. The corners with small pin holes. The linen backing partly torn at the creases and slightly waved. Overall still in good condition.

Nova Helvetiae tabula geographica, illustrissimis et potentissimis cantonibus et rebuspublicis reformatae religionis Tigurinae, Bernensi, Glaronensi, Basiliensi, Scaphusianae, Abbatis Cellanae, dominis suis clementissimis humillime dicata ... Ioh. Melch. Fusslin ornamenta pinx.; Ioh. Henr. Huber et Eman. Schalch sculp. - Kupferstichkarte der Schweiz. Zürich, 1712/13 (wohl zweiter Abzug durch Johannes Hofmeister, 1765). - Die 4 Kartenblätter zur Gesamtkarte auf Leinen zusammen montiert. Gesamtgrösse 117 x 152 cm. - Die berühmte Schweizkarte Scheuchzers erschien nach 18-jähriger Vorarbeit im Jahr 1713. Dem Zürcher Universalgelehrten gelang damit d die "bis anhin detaillierteste Darstellung der Eidgenossenschaft im bisher grössten Massstab. Sie war bis zum Ende des 18. Jh. massgebliche Gesamtkarte der Schweiz. - Leicht gebräunt, angestaubt und mit Gebrauchsspuren. Einzelne kleine Risse, die durch das Auflegen auf Leinen geschlossen wurden. Die Ecken mit Nadellöchlein. Die Leinenunterlage stellenweise in den Faltungen gerissen und leicht gewellt. Insgesamt nocht guter Erhaltungszustand.

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ZURICH.-Johannes Hofmeister (1721 Zürich 1806). Vue de la Ville de Zuric. prise à L'auberge de L'Epée du Coté de L'occident. Dessiné d'après Nature par Sigmd: Hofmeister, Gravé par Halder. Coloured etching from re-worked plate. 18 x 37 cm. Sheet size. 34.5 x 48.5 cm. Framed

Lotto 3522* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

ZURICH.-Johannes Hofmeister (1721 Zürich 1806). Vue de la Ville de Zuric. prise à L'auberge de L'Epée du Coté de L'occident. Dessiné d'après Nature par Sigmd: Hofmeister, Gravé par Halder. Coloured etching from re-worked plate. 18 x 37 cm. Sheet size. 34.5 x 48.5 cm. Framed

Johannes Hofmeister (1721 Zürich 1806). Vue de la Ville de Zuric. prise à L'auberge de L'Epée du Coté de L'occident. Dessiné d'après Nature par Sigmd: Hofmeister, Gravé par Halder. Kolorierte Umrissradierung von der überarbeiteten Platte. 18 x 37 cm. Bogengrösse 34,5 x 48,5 cm. Gerahmt

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LORY, GABRIEL MATHIAS (LORY FILS) (1784 Bern 1846)Landscape with nuns praying at a shrine. Watercolour, 16 x 21.8 cm. Signed lower left: G.Lory fils. Old mount. Inscribed on mount in brown pen: Lory fils de Neuchatel.

Lotto 3524* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

LORY, GABRIEL MATHIAS (LORY FILS) (1784 Bern 1846)Landscape with nuns praying at a shrine. Watercolour, 16 x 21.8 cm. Signed lower left: G.Lory fils. Old mount. Inscribed on mount in brown pen: Lory fils de Neuchatel.

Landschaft mit betenden Nonnen an einem Bildstock. Aquarell, 16 x 21,8 cm. Unten links signiert: G.Lory fils. Alt montiert. Dort mit brauner Feder bezeichnet: Lory fils de Neuchatel.

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ITALY - NAPLES.-Anonymous, circa 1820. 1. Musicians and a couple dancing. 2. Meat and fish shop, with a man at the front cooking at an open stove. Gouache on paper, each ca. 31 x 43.5 cm. Outer lines in black pen. Framed as a pair in old frame.

Lotto 3526 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

ITALY - NAPLES.-Anonymous, circa 1820. 1. Musicians and a couple dancing. 2. Meat and fish shop, with a man at the front cooking at an open stove. Gouache on paper, each ca. 31 x 43.5 cm. Outer lines in black pen. Framed as a pair in old frame.

Anonym, um 1820. 1.Musikanten und tanzendes Paar. 2. Fleisch- und Fischgeschäft, davor ein kochender Mann an einem offenen Herd. Gouache auf Papier, jeweils ca. 31 x 43,5 cm. Die Einfassungslinien mit schwarzer Feder. Als Gegenstücke in alter Rahmung gerahmt.

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ITALY - TIVOLI.-James Merigot after Hubert, circa 1810. Two views of Villa Mecenate in Tivoli. Aquatint etching with original colours, heightened with white. 57 x 43 cm (image). Framed. - Both sheets with old mounts and heavy browning. Very fine overall effect despite the condition.

Lotto 3527 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

ITALY - TIVOLI.-James Merigot after Hubert, circa 1810. Two views of Villa Mecenate in Tivoli. Aquatint etching with original colours, heightened with white. 57 x 43 cm (image). Framed. - Both sheets with old mounts and heavy browning. Very fine overall effect despite the condition.

James Merigot nach Hubert, um 1810. Zwei Ansichten der Villa Mecenate in Tivoli. Altkol. Aquatintaradierungen, weiss gehöht. 57 x 43 cm (licht). Gerahmt. - Beide Blätter alt aufgezogen und stärker gebräunt. Trotz der Erhaltungsmängel sehr schöner Gesamteindruck.

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LANZA, GIOVANNI (Naples 1827 - 1889).The temple of Neptune and the Temple of Hera at Paestum. Watercolour. 43.5 x 75 cm. Signed lower right: G. Lanza.

Lotto 3528* - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

LANZA, GIOVANNI (Naples 1827 - 1889).The temple of Neptune and the Temple of Hera at Paestum. Watercolour. 43.5 x 75 cm. Signed lower right: G. Lanza.

Der Neptuntempel und der Heratempel von Paestum. Aquarell. 43,5 x 75 cm. Unten rechts signiert: G. Lanza.

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ITALY - NAPLES.-Achille Vianelli (Naples 1803 - 1894 Benevento). View of the Golf of Naples and Vesuvius with smoke rising. Watercolour and black crayon. 23.5 x 42.5 cm. Signed and dated lower left in pen: Vianelli (18) 83.

Lotto 3529 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

ITALY - NAPLES.-Achille Vianelli (Naples 1803 - 1894 Benevento). View of the Golf of Naples and Vesuvius with smoke rising. Watercolour and black crayon. 23.5 x 42.5 cm. Signed and dated lower left in pen: Vianelli (18) 83.

Achille Vianelli (Neapel 1803 - 1894 Benevento). Blick auf den Golf von Neapel und den rauchenden Vesuv. Aquarell, schwarzer Stift. 23,5 x 42,5 cm. Unten links mit der Feder signiert und datiert: Vianelli (18) 83.

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ITALY - SWITZERLAND - SCOTLAND.-Anonymous, 1st half of the 19th century. Travel album with approximately 44 drawings, produced in Italy, Switzerland and Scotland, including views of Sorrento, Pozzuoli, Pompeij, Baja, Amalfi, Naples, Chateau de Chillion, Simplon., Val de Moutier, Bothwell Castle. Various techniques and formats. - Included are three views of Naples, Pozzuoli and Lago di Agnano, probably by the Italian scene painter Antonio Senape (Rome 1788 - 1850 Naples) acquired by the owner of the album on their journey. - Some sheets loose, some mounted in the album.

Lotto 3530 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

ITALY - SWITZERLAND - SCOTLAND.-Anonymous, 1st half of the 19th century. Travel album with approximately 44 drawings, produced in Italy, Switzerland and Scotland, including views of Sorrento, Pozzuoli, Pompeij, Baja, Amalfi, Naples, Chateau de Chillion, Simplon., Val de Moutier, Bothwell Castle. Various techniques and formats. - Included are three views of Naples, Pozzuoli and Lago di Agnano, probably by the Italian scene painter Antonio Senape (Rome 1788 - 1850 Naples) acquired by the owner of the album on their journey. - Some sheets loose, some mounted in the album.

Anonym, 1.H.19. Jh.. Reisealbum mit ca. 44 Zeichnungen, die in Italien, der Schweiz und in Schottland entstanden. Darunter Ansichten von Sorrent, Pozzuoli, Pompeij, Baja, Amalfi, Neapel, Chateau de Chillion, Simplon., Val de Moutier, Bothwell Castle. Diverse Techniken und Formate. - Darunter befinden sich drei Ansichten von Neapel, Pozzuoli und Lago di Agnano, die wohl von der Hand des italienischen Vedutenmaler Antonio Senape (Rom 1788 - 1850 Neapel) stammen und auf der Reise von dem Besitzer des Albums erworben wurden. - Die Blätter teils lose beiliegend, teils in das Album montiert.

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GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760 - 1820 Rome).Rinaldo et Armida, 1816. Etching after Poussin, 46 x 61 cm. Andresen 7. - Splendid dark impression with full margins. The margins foxed, mostly at the edges, and somewhat soiled. Overall good condition. Very rare. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century).

Lotto 3531 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760 - 1820 Rome).Rinaldo et Armida, 1816. Etching after Poussin, 46 x 61 cm. Andresen 7. - Splendid dark impression with full margins. The margins foxed, mostly at the edges, and somewhat soiled. Overall good condition. Very rare. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century).

Rinaldo et Armida, 1816. Radierung nach Poussin, 46 x 61 cm. Andresen 7. - Prachvoller dunkler Druck mit vollen Rändern. Dort überwiegend an den Kanten stockfleckig und etwas angeschmutzt. Insgesamt gut erhalten. - Sehr selten. - Aus der Sammlung Conrad Baumann zu Tischendorf (2.H.19. Jh.).

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GMELIN, WILHELM FRIEDRICH (Badenweiler 1760 - 1820 Rome).Templum Veneris, 1805. Engraving after Claude Lorrain. 55 x 67.5 cm. Andresen 2. - Splendid impression with full margins. The margins with minor foxing and scattered creases. The edges with scattered tiny tears. Overall good condition. - Very rare. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century).

Lotto 3532 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

GMELIN, WILHELM FRIEDRICH (Badenweiler 1760 - 1820 Rome).Templum Veneris, 1805. Engraving after Claude Lorrain. 55 x 67.5 cm. Andresen 2. - Splendid impression with full margins. The margins with minor foxing and scattered creases. The edges with scattered tiny tears. Overall good condition. - Very rare. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century).

Templum Veneris, 1805. Kupferstich nach Claude Lorrain. 55 x 67,5 cm. Andresen 2. - Prachtvoller Druck mit den vollem Rändern. Dort wenig fleckig und einzelne Knickfalten. Die Kanten mit einzelnen winzigen Läsuren. Insgesamt in guter Erhaltung. - Sehr selten. - Aus der Sammlung Conrad Baumann zu Tischendorf (2.H.19. Jh.).

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GMELIN, WILHELM FRIEDRICH (Badenweiler 1760 - 1820 Rome).Il temporale del Pussino, 1813. Engraving after Gaspard Poussin. 48 x 59 cm. Nagler V/2, 244. - Splendid impression with full margins. The margins with foxing. The edges slightly foxed and with minor damage. Overall good condition. Rare. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century).

Lotto 3533 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

GMELIN, WILHELM FRIEDRICH (Badenweiler 1760 - 1820 Rome).Il temporale del Pussino, 1813. Engraving after Gaspard Poussin. 48 x 59 cm. Nagler V/2, 244. - Splendid impression with full margins. The margins with foxing. The edges slightly foxed and with minor damage. Overall good condition. Rare. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century).

Il temporale del Pussino, 1813. Kupferstich nach Gaspard Poussin. 48 x 59 cm. Nagler V/2, 244. - Prachvoller Druck mit den vollen Rändern. Dort dezent stockfleckig. Die Kanten leicht stockfleckig und mit geringen Schäden. Insgesamt gut erhalten. - Selten. - Aus der Sammlung Conrad Baumann zu Tischendorf (2.H.19. Jh.).

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GMELIN, WILHELM FRIEDRICH (Badenweiler 1760 - 1820 Rome).I sepolchri del Pussino, 1814. Engraving after Gaspard Poussin. 47.5 x 59 cm. Nagler V II, 244. - Splendid impression with full margins. Margins with minor foxing, the left margin with tear (ca. 4 cm). Scattered tiny tears. Overall good condition. - Very rare. - From the collection of Conrad Baumann zu Tischendort (2nd half of the 19th century).

Lotto 3534 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

GMELIN, WILHELM FRIEDRICH (Badenweiler 1760 - 1820 Rome).I sepolchri del Pussino, 1814. Engraving after Gaspard Poussin. 47.5 x 59 cm. Nagler V II, 244. - Splendid impression with full margins. Margins with minor foxing, the left margin with tear (ca. 4 cm). Scattered tiny tears. Overall good condition. - Very rare. - From the collection of Conrad Baumann zu Tischendort (2nd half of the 19th century).

I sepolchri del Pussino, 1814. Kupferstich nach Gaspard Poussin. 47,5 x 59 cm. Nagler V II, 244. - Prachtvoller Druck mit den vollen Rändern. Dort minim stockfleckig, der linke Rand mit Einriss (ca. 4 cm). Einzelne winzige Läsuren. Insgesamt gut erhalten. - Sehr selten. - Aus der Sammlung Conrad Baumann zu Tischendort (2. H. 19. Jh.).

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GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760 - 1820 Rome).Il Molino di Claudio, 1804. Engraving after Claude Lorrain. 56 x 68 cm. Andresen 1, Nagler V/2, 244. - Splendid impression with full margins. The margins slightly foxed, the edges slightly distressed. Overall good condition. - Very rare. - From the collection ofConrad Baumann zu Tischendorf (2nd half of the 19th century.).

Lotto 3535 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760 - 1820 Rome).Il Molino di Claudio, 1804. Engraving after Claude Lorrain. 56 x 68 cm. Andresen 1, Nagler V/2, 244. - Splendid impression with full margins. The margins slightly foxed, the edges slightly distressed. Overall good condition. - Very rare. - From the collection ofConrad Baumann zu Tischendorf (2nd half of the 19th century.).

Il Molino di Claudio, 1804. Kupferstich nach Claude Lorrain. 56 x 68 cm. Andresen 1, Nagler V/2, 244. - Prachtvoller Druck mit den vollem Rändern. Dort leicht stockfleckig, die Kanten teils mit kleineren Erhaltungsmängeln. Insgesamt in guter Erhaltung. - Hauptblatt des Künstlers. - Sehr selten. - Aus der Sammlung Conrad Baumann zu Tischendorf (2.H.19. Jh.).

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GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760- 1820 Rome).Acis e Galatea, 1816. Etching after Claude Lorrain. 49 x 60.5 cm. Andresen 3. - Splendid print with full margins. Margins somewhat foxed. The lower edge of the sheet somewhat creased, the lower left corner with fold crease. Overall good condition. From the collection of Conrad Baumann v. Tischendorf (2nd half of the 19th century.).

Lotto 3536 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760- 1820 Rome).Acis e Galatea, 1816. Etching after Claude Lorrain. 49 x 60.5 cm. Andresen 3. - Splendid print with full margins. Margins somewhat foxed. The lower edge of the sheet somewhat creased, the lower left corner with fold crease. Overall good condition. From the collection of Conrad Baumann v. Tischendorf (2nd half of the 19th century.).

Acis e Galatea, 1816. Radierung nach Claude Lorrain. 49 x 60,5 cm. Andresen 3. - Prachtvoller Druck mit den vollen Rändern. Dort dezent etwas stockfleckig. Die untere Blattkante etwas knittrig, die untere linke Ecke mit Knickfalte. Insgesamt gut erhalten. - Selten. - Aus der Sammlung Conrad Baumann v. Tischendorf (2.H.19. Jh.).

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Venduto per CHF 660 (incl. premio dell'acquirente)
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GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760 - 1820 Rome).Fuga in Egitto. Etching after Claude Lorrain. 49 x 60.5 cm. Andresen 4. - Splendid impression with full margins. The margins with light foxing. Overall good condition. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century.).

Lotto 3537 - A162 Grafica antica - venerdì 21 settembre 2012, 11h00

GMELIN, WILHELM FRIEDRICH ( Badenweiler 1760 - 1820 Rome).Fuga in Egitto. Etching after Claude Lorrain. 49 x 60.5 cm. Andresen 4. - Splendid impression with full margins. The margins with light foxing. Overall good condition. - From the collection of Conrad Baumann zu Tischendorf (2nd half of the 19th century.).

Fuga in Egitto. Radierung nach Claude Lorrain. 49 x 60,5 cm. Andresen 4. - Prachtvoller Druck mit den vollen Rändern. Dort leicht stockfleckig. Insgesamt in guter Erhaltung. - Aus der Sammlung Conrad Baumann zu Tischendorf (2.H.19. Jh.).

CHF 300 / 400 | (€ 310 / 410)

Venduto per CHF 600 (incl. premio dell'acquirente)
Non si assume alcuna responsabilità per la correttezza di queste informazioni.

Dettagli Il mio catalogo Richieste di informazioni