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Furniture & Sculptures

Thursday 27 March 2014, 10.00 AM



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STELE, Coptic, 6th/7th century A.D. Light beige stone in relief. Rounded, profiled plate with a central rosette flanked by birds, the lower part with 2 adjacent crosses. H 45 cm. Provenance: Swiss private collection.

Lot 1003 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

STELE, Coptic, 6th/7th century A.D. Light beige stone in relief. Rounded, profiled plate with a central rosette flanked by birds, the lower part with 2 adjacent crosses. H 45 cm. Provenance: Swiss private collection.

koptisch, 6./7. Jh. n. Chr.
Hellbeiger Stein reliefiert. Abgerundete, profilierte Platte mit Zentralrosette und flankierenden Vögeln über 2 nebeneinander liegenden Kreuzen. H 45 cm.

CHF 4 000 / 7 000 | (€ 4 120 / 7 220)

Sold for CHF 4 800 (including buyer’s premium)
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SAINT MARTIN, late Gothic, Burgundy, early 16th century. Limestone carved full round and painted. The sword incomplete. The head restored. H 80 cm. Provenance: private collection (Vaduz).

Lot 1004 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

SAINT MARTIN, late Gothic, Burgundy, early 16th century. Limestone carved full round and painted. The sword incomplete. The head restored. H 80 cm. Provenance: private collection (Vaduz).

spätgotisch, Burgund, Anfang 16. Jh.
Kalkstein vollrund behauen und gefasst. Der Heilige zu Pferd, in der einen Hand hält er seinen Umhang, in der anderen ein Schwert (unvollständig). Kopf restauriert. H 80 cm.

CHF 5 000 / 8 000 | (€ 5 150 / 8 250)

Sold for CHF 7 200 (including buyer’s premium)
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2 BRONZE FIGURINES, Roman, 2th/4th century A.D. Stylized horse and eagle on a rectangular base. H 4.5 and 7.5 cm. Provenance: - Collection Ferdinando Adda, acquired in the 1930s in Egypt. - Collection G. Adda-Cohen. - Collection P. Scharrelmann, Germany. - Bonhams London, 8 May 2013 (Lot No. 274). - Swiss private collection.

Lot 1006 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

2 BRONZE FIGURINES, Roman, 2th/4th century A.D. Stylized horse and eagle on a rectangular base. H 4.5 and 7.5 cm. Provenance: - Collection Ferdinando Adda, acquired in the 1930s in Egypt. - Collection G. Adda-Cohen. - Collection P. Scharrelmann, Germany. - Bonhams London, 8 May 2013 (Lot No. 274). - Swiss private collection.

römisch, 2./4. Jh. n. Chr.
Stilisiertes Pferd bzw. Adler auf rechteckigem Sockel. H 4,5 bzw. 7,5 cm.

CHF 400 / 700 | (€ 410 / 720)

Sold for CHF 840 (including buyer’s premium)
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OIL LAMP, Renaissance, Northern Italy, probably Padua, second half of the 16th century. Partly gilt bronze. On an eagle claw. H 20.5 cm. Provenance: Swiss private collection.

Lot 1008 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

OIL LAMP, Renaissance, Northern Italy, probably Padua, second half of the 16th century. Partly gilt bronze. On an eagle claw. H 20.5 cm. Provenance: Swiss private collection.

Renaissance, Norditalien, wohl Padua, 2. Hälfte 16. Jh.
Teils vergoldete Bronze. Gefässkörper in Form einer Fratze mit weit geöffnetem Mund, auf assortierter Adlerkralle. H 20,5 cm.

CHF 12 000 / 20 000 | (€ 12 370 / 20 620)

Sold for CHF 16 800 (including buyer’s premium)
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LARGE MORTAR WITH PESTLE, Renaissance, inscribed E.R.D.B.S. ANGIOLI and dated 1622, probably France. Patinated bronze. Two knobs designed as the head of a woman. The wall features stylised coats of arms and the inscription PIETRO DOISEMONT FRANCESE PERUSIA FECIT. D 34 cm. H 28.5 cm. Pestle: L 52 cm. Provenance: private collection, Lugano.

Lot 1011 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

LARGE MORTAR WITH PESTLE, Renaissance, inscribed E.R.D.B.S. ANGIOLI and dated 1622, probably France. Patinated bronze. Two knobs designed as the head of a woman. The wall features stylised coats of arms and the inscription PIETRO DOISEMONT FRANCESE PERUSIA FECIT. D 34 cm. H 28.5 cm. Pestle: L 52 cm. Provenance: private collection, Lugano.

Renaissance, bez. E.R.D.B.S. ANGIOLI und dat. 1622, Italien.
Bronze patiniert. Rundes, leicht ausladendes Gefäss mit 2 Knäufen in Form von Frauenköpfen. Die Wandung reliefiert mit stilisierten Wappen und Inschrift PIETRO DOISEMONT FRANCESE PERUSIA FECIT. D 34 cm. H 28,5 cm. Pistill: L 52 cm.

CHF 5 000 / 9 000 | (€ 5 150 / 9 280)

Sold for CHF 7 800 (including buyer’s premium)
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ENAMEL TRIPTYCHON, in the style of the 16th century, probably Edme Samson, 19th century. Enamel painting, heightened in gold. The central panel depicts The Lamentation of Christ with Mary Magdalene, John and 2 guards. The side wings depicting The Descent from the Cross and The Entombment of Christ. The central panel with several repairs and some losses. Later frame. H 23 cm. W open 36 cm, closed 19 cm. Lit.: F. Slitine, Samson génie et l'imitation, Paris 2002; page 24 ff. (with depictions of analogue examples).

Lot 1015* - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

ENAMEL TRIPTYCHON, in the style of the 16th century, probably Edme Samson, 19th century. Enamel painting, heightened in gold. The central panel depicts The Lamentation of Christ with Mary Magdalene, John and 2 guards. The side wings depicting The Descent from the Cross and The Entombment of Christ. The central panel with several repairs and some losses. Later frame. H 23 cm. W open 36 cm, closed 19 cm. Lit.: F. Slitine, Samson génie et l'imitation, Paris 2002; page 24 ff. (with depictions of analogue examples).

in der Art des 16. Jh., wohl Edme Samson, 19. Jh.
Emailmalerei mit Goldhöhungen. In rechteckiger Form mit gotisierendem Bogengiebel. Die zentrale Plakette zeigt die Darstellung der Beweinung Christi mit Maria Magdalena, Johannes sowie 2 Wächtern. Im Hintergrund eine gotische Architektur. Die beiden Seitenflügel zeigen die Kreuzabnahme bzw. die Grablegung Christi. Die mittlere Plakette mit mehreren Reparaturen und Fehlstellen. Rahmen später. H 23 cm. B offen 36 cm, geschlossen 19 cm.

CHF 10 000 / 15 000 | (€ 10 310 / 15 460)

Sold for CHF 18 000 (including buyer’s premium)
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PROCESSIONAL CROSS, Limoges, early 13th century. Wooden core mounted with chased and gilt copper, set with glass stones and champlevé enamel plaques in turquoise, dark blue, red and green. The Corpus Christi in engraved, gilt and enamelled copper. One side of the cross with the crucified Christ and half-figures of the Evangelists at the cross ends. Verso with round, enamel plaque of Christ in Majesty. The cross ends with the symbols of the Evangelists. Losses and chips. Alterations. H 41 cm. Provenance: Swiss private collection. Lit.: The Metropolitan Museum of Art, Enamels of Limoges 1100-1350, New York 1996; page 315 ff.

Lot 1017* - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

PROCESSIONAL CROSS, Limoges, early 13th century. Wooden core mounted with chased and gilt copper, set with glass stones and champlevé enamel plaques in turquoise, dark blue, red and green. The Corpus Christi in engraved, gilt and enamelled copper. One side of the cross with the crucified Christ and half-figures of the Evangelists at the cross ends. Verso with round, enamel plaque of Christ in Majesty. The cross ends with the symbols of the Evangelists. Losses and chips. Alterations. H 41 cm. Provenance: Swiss private collection. Lit.: The Metropolitan Museum of Art, Enamels of Limoges 1100-1350, New York 1996; page 315 ff.

Limoges, frühes 13. Jh.
Holzkern beschlagen mit vergoldetem, mit Sternen und stilisierten Blüten getriebenem Kupfer, besetzt mit Glassteinen und Grubenschmelzemail-Plaketten in Türkis, Dunkelblau, Rot und Grün. Corpus Christi in Kupfer graviert, vergoldet und emailiert. Die eine Seite des Kreuzes mit dem Gekreuzigten, die Kreuzenden mit Halbfiguren der 4 Evangelisten besetzt. Die Rückseite in der Mitte mit einer runden emaillierten Plakette, Christus in Majestas. Die Kreuzenden mit den Symbolen der Evangelisten. Fehlstellen und Ausbrüche. Ergänzungen. H 41 cm.

CHF 48 000 / 68 000 | (€ 49 480 / 70 100)

Sold for CHF 60 000 (including buyer’s premium)
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FAMILY ALTAR/TRIPTYCHON, Renaissance, workshop of the EMBRIACHI (important workshop in Florence and Venice in the 15th century), Venice ca. 1410/20. Bone cut in relief and ebony with geometric fillets in partially coloured bone. The triptychon has a pointed gable, the central panel shows Mary Enthroned with the Child Jesus, flanked by St. Catherine and John the Baptist. Above Christ holding a Book and Giving Blessings. The two wings depicting the monastic saints, St. Dominic and St. Francis of Assisi. Minor losses, repair in the region of Mary's right elbow. Small alterations/repairs on the frame. Open: 33x27 cm. Closed: 33x13 cm. Provenance: private collection, Lugano.

Lot 1018 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

FAMILY ALTAR/TRIPTYCHON, Renaissance, workshop of the EMBRIACHI (important workshop in Florence and Venice in the 15th century), Venice ca. 1410/20. Bone cut in relief and ebony with geometric fillets in partially coloured bone. The triptychon has a pointed gable, the central panel shows Mary Enthroned with the Child Jesus, flanked by St. Catherine and John the Baptist. Above Christ holding a Book and Giving Blessings. The two wings depicting the monastic saints, St. Dominic and St. Francis of Assisi. Minor losses, repair in the region of Mary's right elbow. Small alterations/repairs on the frame. Open: 33x27 cm. Closed: 33x13 cm. Provenance: private collection, Lugano.

Renaissance, Werkstatt der EMBRIACHI (bedeutende Werkstatt in Florenz und Venedig im 15. Jh.), Venedig um 1410/20.
Knochen geschnitten im Relief sowie Ebenholz mit geometrischen Filets in teils gefärbtem Knochen. Das Triptychon mit Spitzgiebel, das zentrale Feld zeigt die thronende Maria mit Kind, flankiert von der Heiligen Katharina bzw. Johannes dem Täufer. Darüber im Tympanon Darstellung Christi mit Buch und Segensgestus. Die beiden Flügel mit der Darstellung der Ordensheiligen Dominikus bzw. Franz von Assisi. Geringe Fehlstellen, Reparatur im Bereich des rechten Ellbogens Marias. Kleinere Ergänzungen/Reparaturen am Gehäuse. Offen: 33x27 cm. Geschlossen: 33x13 cm.

CHF 8 000 / 12 000 | (€ 8 250 / 12 370)

Sold for CHF 21 600 (including buyer’s premium)
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IMPORTANT WEDDING CASKET WITH RELIEFS IN BONE DEPICTING SCENES FROM THE LIFE OF SUSANNA, Renaissance, workshop of the EMBRIACHI (important workshop in Florence in Venice in the 15th century), Venice ca. 1430. Walnut and bone, richly carved with depictions of Susana Bathing. Rectangular, with a hinged lid. The inside of the lid is painted red and blue. Red silk lining. 48x30x34 cm. Provenance: - former Collection Wertheimer, Frankfurt. - Provenance: private collection, Lugano. Expertise by L. Foi, 2008.

Lot 1019 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

IMPORTANT WEDDING CASKET WITH RELIEFS IN BONE DEPICTING SCENES FROM THE LIFE OF SUSANNA, Renaissance, workshop of the EMBRIACHI (important workshop in Florence in Venice in the 15th century), Venice ca. 1430. Walnut and bone, richly carved with depictions of Susana Bathing. Rectangular, with a hinged lid. The inside of the lid is painted red and blue. Red silk lining. 48x30x34 cm. Provenance: - former Collection Wertheimer, Frankfurt. - Provenance: private collection, Lugano. Expertise by L. Foi, 2008.

Renaissance, Werkstatt der EMBRIACHI (bedeutende Werkstatt in Florenz und Venedig im 15. Jh.), Venedig um 1430.
Nussbaum sowie Bein reich beschnitzt mit figuraler Darstellung aus der Susanna im Bade. Rechteckiger, gestufter Korpus mit Klappdeckel auf kleinen gequetschten Kugelfüssen. Der Deckel innen rot und blau gefasst. Gebrauchter roter Seidenbezug. Ergänzungen. 48x30x34 cm.

CHF 25 000 / 45 000 | (€ 25 770 / 46 390)

Sold for CHF 108 000 (including buyer’s premium)
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CHRIST AMONG THE SCRIBES, Flemish, beginning of the 17th century. Walnut, carved with remains of old paint . The centre with a raised niche of Jesus, with Mary and Joseph to the left of him, and other persons next to and in front of him. H 55, W 50 cm. 2 heads missing.

Lot 1020 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

CHRIST AMONG THE SCRIBES, Flemish, beginning of the 17th century. Walnut, carved with remains of old paint . The centre with a raised niche of Jesus, with Mary and Joseph to the left of him, and other persons next to and in front of him. H 55, W 50 cm. 2 heads missing.

flämisch, Anfang 17. Jh.
Nussbaum geschnitzt mit Resten von Fassung. Im Zentrum in erhöhter Nische der Knabe Jesus, links von ihm Maria und Joseph, daneben und vor ihm weitere Personen. H 55, B 50 cm. 2 Köpfe fehlen.

CHF 5 000 / 8 000 | (€ 5 150 / 8 250)

Sold for CHF 10 320 (including buyer’s premium)
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SAINT COSMAS OR DAMIAN, late-Gothic, Lower Rhine, ca. 1500. Oak, carved all around, with remains of old paint. H 71 cm. Provenance: private collection, Vienna.

Lot 1021* - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

SAINT COSMAS OR DAMIAN, late-Gothic, Lower Rhine, ca. 1500. Oak, carved all around, with remains of old paint. H 71 cm. Provenance: private collection, Vienna.

spätgotisch, Niederrhein, um 1500.
Eiche vollrund geschnitzt mit Resten einer Fassung. Der Heilige in gegürtetem Gewand mit Umhang stehend mit Arzneibüchse, das linke Bein leicht vorgestellt, den Blick nach rechts. H 71 cm.

CHF 3 000 / 5 000 | (€ 3 090 / 5 150)

Sold for CHF 3 600 (including buyer’s premium)
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MADONNA ENTHRONED WITH THE CHRIST CHILD, Gothic, Spain, 14th century. Pinewood, carved and painted. Mary wearing a crown is enthroned on a simple bench, sitting upright. She is holding the Blessing Christ Child with her left hand who is standing on her left knee. The child is looking towards the right. Later painting. Crown later, right lower arm missing. H 105.5 cm. Provenance: private collection, Switzerland.

Lot 1022 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

MADONNA ENTHRONED WITH THE CHRIST CHILD, Gothic, Spain, 14th century. Pinewood, carved and painted. Mary wearing a crown is enthroned on a simple bench, sitting upright. She is holding the Blessing Christ Child with her left hand who is standing on her left knee. The child is looking towards the right. Later painting. Crown later, right lower arm missing. H 105.5 cm. Provenance: private collection, Switzerland.

gotisch, Spanien, 14. Jh.
Nadelholz geschnitzt und gefasst. Die bekrönte Maria thront auf einer einfachen Bank in aufrechter Haltung. Sie hält das Christuskind, das segnend auf ihrem linken Knie steht, mit ihrer linken Hand. Der Blick des Kindes geht zur rechten Seite. Spätere Fassung. Krone später, rechter Unterarm fehlt. H 105,5 cm.

CHF 18 000 / 28 000 | (€ 18 560 / 28 870)

Sold for CHF 21 600 (including buyer’s premium)
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RELIEF OF THE HOLY FAMILY, Renaissance, attributed to D. SILOE (Diego de Siloé, Burgos 1495-1563 Granada), Spain, 16th century. Wood, carved in relief and painted. Mary nursing the Christ Child, flanked by Joseph, John as a Child and Anne. In a shaped wood frame. Original, virtually untouched paint. 65x90 cm. Provenance: private collection, Lugano. Expertise: Prof. Ferdinando Bologna, Rome, 27 July 1976.

Lot 1024 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

RELIEF OF THE HOLY FAMILY, Renaissance, attributed to D. SILOE (Diego de Siloé, Burgos 1495-1563 Granada), Spain, 16th century. Wood, carved in relief and painted. Mary nursing the Christ Child, flanked by Joseph, John as a Child and Anne. In a shaped wood frame. Original, virtually untouched paint. 65x90 cm. Provenance: private collection, Lugano. Expertise: Prof. Ferdinando Bologna, Rome, 27 July 1976.

Renaissance, D. SILOE (Diego de Siloé, Burgos 1495-1563 Granada) zuzuschreiben, Spanien, 16. Jh.
Holz geschnitzt im Relief sowie gefasst. Maria das Kind stillend flankiert von Joseph, dem Kind Johannes und Anna. In profiliertem Holzrahmen. Originale, nahezu unberührte Fassung. 65x90 cm.

CHF 25 000 / 45 000 | (€ 25 770 / 46 390)

Sold for CHF 54 000 (including buyer’s premium)
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ARMCHAIR, Renaissance, Florence ca. 1580. Walnut, shaped and partly gilt. Brown, gold-stamped leather lining. 64x48x49x116 cm. Provenance: private collection, Lugano. Lit.: M. Cera, Il mobile italiano, Milan 1983; page 214 (fig. 396).

Lot 1025 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

ARMCHAIR, Renaissance, Florence ca. 1580. Walnut, shaped and partly gilt. Brown, gold-stamped leather lining. 64x48x49x116 cm. Provenance: private collection, Lugano. Lit.: M. Cera, Il mobile italiano, Milan 1983; page 214 (fig. 396).

Renaissance, Florenz um 1580.
Nussbaum profiliert sowie teils vergoldet. Rechteckiger Sitz auf Balusterbeinen mit durch Steg verbundenen Quaderfüssen. Hohe, flache Rückenlehne mit Eckblättern und breiten Armlehnen auf profilierten -stützen. Brauner, goldgepresster Lederbezug. 64x48x49x133 cm.

CHF 2 000 / 3 000 | (€ 2 060 / 3 090)

Sold for CHF 4 800 (including buyer’s premium)
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TERRACOTTA BUST OF A YOUTH, Renaissance, in the style of DONATELLO (Donato di Niccolò di Betto Bardi, 1386 Florence 1466), Florence, 16th century. Painted terracotta. Youth with a fur vest and cloak. H 43 cm. Provenance: from an Italian collection. Koller Auction is in possession of an Analisi di Termolumiescenza (T) by the Arcadia in Milan of 18 September 2013 , which dates the material as being from the 16th century.

Lot 1029* - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

TERRACOTTA BUST OF A YOUTH, Renaissance, in the style of DONATELLO (Donato di Niccolò di Betto Bardi, 1386 Florence 1466), Florence, 16th century. Painted terracotta. Youth with a fur vest and cloak. H 43 cm. Provenance: from an Italian collection. Koller Auction is in possession of an Analisi di Termolumiescenza (T) by the Arcadia in Milan of 18 September 2013 , which dates the material as being from the 16th century.

Renaissance, in der Art von DONATELLO (Donato di Niccolò di Betto Bardi, 1386 Florenz 1466), Florenz, 16. Jh.
Bemalte Terracotta. Jüngling mit Fellgewand und Umhang. H 43 cm.

CHF 18 000 / 28 000 | (€ 18 560 / 28 870)

Sold for CHF 12 960 (including buyer’s premium)
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LARGE BRACKET CLOCK, Renaissance, the movement ca. 1570 and possibly by J. METZGER (Jeremias Metzger, 1538 Augsburg ca. 1595), the later housing from the 19th century with coat of arms of the BAVARIAN DUKES from the 19th century, probably Augsburg or Munich. Bronze and brass, gilt. The base with depictions of Saint Joan and the Evangelists. Fine iron movement, converted to pendulum, with strike on 2 bells. Requires servicing. 26x18x55.5 cm. Provenance: private collection, Suisse romande.

Lot 1033 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

LARGE BRACKET CLOCK, Renaissance, the movement ca. 1570 and possibly by J. METZGER (Jeremias Metzger, 1538 Augsburg ca. 1595), the later housing from the 19th century with coat of arms of the BAVARIAN DUKES from the 19th century, probably Augsburg or Munich. Bronze and brass, gilt. The base with depictions of Saint Joan and the Evangelists. Fine iron movement, converted to pendulum, with strike on 2 bells. Requires servicing. 26x18x55.5 cm. Provenance: private collection, Suisse romande.

Renaissance, das Werk um 1570 und womöglich von J. METZGER (Jeremias Metzger, 1538 Augsburg ca. 1595), das spätere Gehäuse aus dem 19. Jh. mit Wappen der HERZOGE VON BAYERN, wohl Augsburg oder München.
Bronze und Messing vergoldet. Rechteckiges Gehäuse mit durchbrochenem und von Soldaten und Putten bekröntem Kranz sowie frei stehenden Ecksäulen auf gekehltem Sockel mit girlandenbeschmückten und gequetschten Kugelfüssen. Front mit 2 Zifferblättern für römische Stundenzahlen, Datum und Tage der Monatszeichen mit den diesbezüglichen Heiligen sowie Zodiac-Angaben. Die Letztere ohne Werksverbindung. Verso Zifferblatt mit Figuren für die Planetendarstellungen sowie Aufzugsloch für das Gehwerk. Die eine Seite mit 2 Zifferblättern für den Stundenschlag und Schlagwerksaufzug. Die andere Seite mit feinem, delphinbeschmücktem Zifferblatt für Kontrolle des Viertelstundenschlages. Der Sockel mit Darstellungen der Heiligen Johanna und der Evangelisten. Feines Eisenwerk, von Radunruh auf Pendel umgebaut, mit Schlag auf 2 Glocken. Zu revidieren. 26x18x55,5 cm.

CHF 25 000 / 45 000 | (€ 25 770 / 46 390)

Sold for CHF 22 200 (including buyer’s premium)
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MONASTIC SAINT, probably Saint Leonhard, late Gothic, southern Germany ca. 1450. Carved wood, verso hollowed and with remains of paint. 1 finger incomplete. Some losses. Right hand probably replaced. H 95 cm. Provenance: private collection, Switzerland.

Lot 1035 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

MONASTIC SAINT, probably Saint Leonhard, late Gothic, southern Germany ca. 1450. Carved wood, verso hollowed and with remains of paint. 1 finger incomplete. Some losses. Right hand probably replaced. H 95 cm. Provenance: private collection, Switzerland.

wohl Heiliger Leonhard, spätgotisch, Süddeutschland um 1450.
Holz geschnitzt, verso gehöhlt und mit Resten von Fassung. Der Heilige steht leicht im Kontrapost mit Buch. 1 Finger unvollständig. Fehlstellen. Rechte Hand wohl ergänzt. H 95 cm.

CHF 4 000 / 6 000 | (€ 4 120 / 6 190)

Sold for CHF 4 800 (including buyer’s premium)
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ENTHRONED MADONNA AND CHILD, France, Gothic type, probably ca. 1400. Wood carved and painted. Mary is seated on a bench-like throne in a finely girded robe, facing the viewer. The child is looking to the left. Some losses and worm holes. Figure is highly retouched and repainted. H 90 cm. Provenance: private collection, Switzerland.

Lot 1036 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

ENTHRONED MADONNA AND CHILD, France, Gothic type, probably ca. 1400. Wood carved and painted. Mary is seated on a bench-like throne in a finely girded robe, facing the viewer. The child is looking to the left. Some losses and worm holes. Figure is highly retouched and repainted. H 90 cm. Provenance: private collection, Switzerland.

Frankreich, gotischer Typus, wohl um 1400.
Holz geschnitzt und gefasst. Maria sitzend auf bankartigem Thron in fein gegürtetem Kleid, den Blick zum Betrachter. Das Kind sitzt seitlich auf ihrem rechten Knie, den Blick nach links. Fehlstellen und Wurmgänge. Figur stark überarbeitet und überfasst. H 90 cm.

CHF 10 000 / 15 000 | (€ 10 310 / 15 460)

Sold for CHF 15 600 (including buyer’s premium)
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PAIR OF LARGE CANDLEHOLDERS , early Baroque, France, 17th century. Bronze.. H 86 cm. Provenance: from a French collection.

Lot 1037* - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

PAIR OF LARGE CANDLEHOLDERS , early Baroque, France, 17th century. Bronze.. H 86 cm. Provenance: from a French collection.

Frühbarock, Frankreich, 17. Jh.
Bronze. Balusterschaft mit grossem, rundem Tropfteller und hohem Dorn auf profiliertem Rundfuss. H 86 cm.

CHF 2 000 / 3 000 | (€ 2 060 / 3 090)

Sold for CHF 3 120 (including buyer’s premium)
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CHANDELIER, Baroque, The Netherlands ca. 1700. Bronze. With 24 light branches on 3 levels. 1 light branch repaired. H 99 cm. Provenance: from a Swiss collection.

Lot 1038 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

CHANDELIER, Baroque, The Netherlands ca. 1700. Bronze. With 24 light branches on 3 levels. 1 light branch repaired. H 99 cm. Provenance: from a Swiss collection.

Barock, Niederlande um 1700.
Bronze. Balusterförmiger Schaft mit Taubenaufsatz und 24 geschweiften Lichtarmen mit grossen Tropftellern und vasenförmigen Tüllen auf 3 Ebenen. 1 Lichtarm repariert. H 99 cm.

CHF 2 000 / 3 000 | (€ 2 060 / 3 090)

Sold for CHF 9 600 (including buyer’s premium)
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THE ANNUNCIATION TO THE BLESSED VIRGIN MARY, Renaissance, Brussels ca. 1480. Carved oak, verso flattened and painted. Mary kneeling with long, open hair and eyes downcast, arms folded over her chest. The lining of the coat inscribed with the words of the angel AVE MARIA GRATIA PLENA DOMINUS TECUM. Mounted on a later base. Painting retouched. H 33 cm. Provenance: - Collection Albert and Hedwig Ullmann, Frankfurt a. M. - Dr. Arthur Kauffmann, London (up until 1951). - Collection Emil G. Bührle, Zurich.

Lot 1039 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

THE ANNUNCIATION TO THE BLESSED VIRGIN MARY, Renaissance, Brussels ca. 1480. Carved oak, verso flattened and painted. Mary kneeling with long, open hair and eyes downcast, arms folded over her chest. The lining of the coat inscribed with the words of the angel AVE MARIA GRATIA PLENA DOMINUS TECUM. Mounted on a later base. Painting retouched. H 33 cm. Provenance: - Collection Albert and Hedwig Ullmann, Frankfurt a. M. - Dr. Arthur Kauffmann, London (up until 1951). - Collection Emil G. Bührle, Zurich.

Renaissance, Brüssel um 1480.
Eiche geschnitzt, verso geflacht sowie gefasst. Maria kniend mit langem offenem Haar und gesenktem Blick, die Arme vor der Brust verschränkt. Der in weichen Falten fallende Mantelsaum bezeichnet mit den Worten des Engels AVE MARIA GRATIA PLENA DOMINUS TECUM. Montiert auf späteren Sockel. Fassung überarbeitet. H 33 cm.

CHF 6 000 / 9 000 | (€ 6 190 / 9 280)

Sold for CHF 12 600 (including buyer’s premium)
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LARGE COFFER, Louis XIV, probably from the Netherlands ca. 1700. Rosewood and purpleheart in veneer, inlaid "en papillon". Hinged cover and hinged front. The inside divided into a large compartment, 2 secret compartments in the lid and 2 adjacent drawers. Fine bronze mounts. 37x26x23 cm. Provenance: private collection, Lugano.

Lot 1041 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

LARGE COFFER, Louis XIV, probably from the Netherlands ca. 1700. Rosewood and purpleheart in veneer, inlaid "en papillon". Hinged cover and hinged front. The inside divided into a large compartment, 2 secret compartments in the lid and 2 adjacent drawers. Fine bronze mounts. 37x26x23 cm. Provenance: private collection, Lugano.

Louis XIV, wohl Niederlande um 1700.
Palisander und Veilchenholz gefriest sowie "en papillon" eingelegt. Rechteckiger Korpus mit aufklappbarem Deckel und abklappbarer Front. Inneneinteilung mit grossem Fach, im Deckel 2 kaschierte Fächer und 2 nebeneinander liegenden Schubladen. Geheimfächer und -schubladen. Feine Bronzebeschläge. 37x26x23 cm.

CHF 1 200 / 2 200 | (€ 1 240 / 2 270)

Sold for CHF 1 250 (including buyer’s premium)
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VIRGIN AND CHILD WITH SAINT ANNE, late Gothic, Flanders ca. 1500. Carved oak and verso flattened. Saint Anne is standing with a book in her left hand and carrying Mary and Jesus in her right hand. Cracks. H 79 cm. Provenance: from a French collection.

Lot 1042* - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

VIRGIN AND CHILD WITH SAINT ANNE, late Gothic, Flanders ca. 1500. Carved oak and verso flattened. Saint Anne is standing with a book in her left hand and carrying Mary and Jesus in her right hand. Cracks. H 79 cm. Provenance: from a French collection.

spätgotisch, Flandern um 1500.
Eiche geschnitzt und verso geflacht. Die Heilige stehend mit Buch in ihrer linken Hand sowie Maria und Kind in ihrem rechten Arm tragend. Risse. H 79 cm.

CHF 10 000 / 15 000 | (€ 10 310 / 15 460)

Sold for CHF 13 800 (including buyer’s premium)
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MARY WITH THE BLESSING CHILD, Renaissance, workshop of GREGORIO DI LORENZO (Gregorio di Lorenzo, 1436 Florence 1495), Tuscany ca. 1460/70. Painted stucco. Mounted in a later, marbled, architectural wooden frame. 52x39 cm. Total height 115 cm. Provenance: private collection, Lugano. Expertise: Prof. Alfredo Bellandi, August 2004.

Lot 1043 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

MARY WITH THE BLESSING CHILD, Renaissance, workshop of GREGORIO DI LORENZO (Gregorio di Lorenzo, 1436 Florence 1495), Tuscany ca. 1460/70. Painted stucco. Mounted in a later, marbled, architectural wooden frame. 52x39 cm. Total height 115 cm. Provenance: private collection, Lugano. Expertise: Prof. Alfredo Bellandi, August 2004.

Renaissance, Werkstatt des GREGORIO DI LORENZO (Gregorio di Lorenzo, 1436 Florenz 1495), Toskana um 1460/70.
Stukko gefasst. Maria mit jugendlichem Antlitz sitzend, das lächelnde Kind mit Segensgruss auf ihrem Schoss. Im Hintergrund Lorbeergirlande. Montiert in späteren, marmorierten, architektonischen Holzrahmen. 52x39 cm. Gesamthöhe 115 cm.

CHF 20 000 / 30 000 | (€ 20 620 / 30 930)

Sold for CHF 24 000 (including buyer’s premium)
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MADONNA AND CHILD, Baroque, attributed to J. CARDON (Johannes Cardon, 1614 Antwerp 1656), the underside dated 1638. Terracotta hollowed verso. Child's head glued, restoration to the cloak and base. Traces of paint. H 39 cm. Provenance: private collection, Switzerland.

Lot 1045 - A168 Furniture & Sculptures - Thursday 27 March 2014, 10.00 AM

MADONNA AND CHILD, Baroque, attributed to J. CARDON (Johannes Cardon, 1614 Antwerp 1656), the underside dated 1638. Terracotta hollowed verso. Child's head glued, restoration to the cloak and base. Traces of paint. H 39 cm. Provenance: private collection, Switzerland.

Barock, J. CARDON (Johannes Cardon, 1614 Antwerpen 1656) zuzuschreiben, auf der Unterseite dat. 1638.
Terracotta verso gehöhlt. Die Gottesmutter stehend mit offenem Haar, das Kind sitzt in ihrer rechten Hand. Kopf des Kindes geklebt, Restaurierung am Mantel und Sockel. Spuren einer Fassung. H 39 cm.

CHF 4 000 / 7 000 | (€ 4 120 / 7 220)

Sold for CHF 6 000 (including buyer’s premium)
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