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Old Master Prints

Friday 30 March 2012, 11.00 AM



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GOYA, FRANCESCO DE (Fuendetodos 1746 - 1829 Bordeaux).Una Reina del Circo. From: Disparate Puntual. 1877. Etching with aquatint on handmade paper. 24 x 35.5 cm. Delteil 221, Harris 267 III. - Strong, even and clear impression with full margin. Overall slightly browned and minor foxing in the margins. Overall good condition.

Lot 3462 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

GOYA, FRANCESCO DE (Fuendetodos 1746 - 1829 Bordeaux).Una Reina del Circo. From: Disparate Puntual. 1877. Etching with aquatint on handmade paper. 24 x 35.5 cm. Delteil 221, Harris 267 III. - Strong, even and clear impression with full margin. Overall slightly browned and minor foxing in the margins. Overall good condition.

Una Reina del Circo. Aus: Disparate Puntual. 1877. Radierung mit Aquatinta auf Bütten. 24 x 35,5 cm. Delteil 221, Harris 267 III. - Kräftiger, gleichmässiger und präziser Druck mit dem vollen Schöpfrand. Insgesamt leicht gebräunt und in den Rändern minim stockfleckig. Insgesamt in guter Erhaltung.

CHF 700 / 900 | (€ 720 / 930)

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GOYA, FRANCISCO DE (Fuendotodos 1746 - 1828 Bordeaux).Disparate femenino. Female foolishness. Sheet 1 of the suite: Los Proverbios. Etching with aquatint in sepia. 24.2 x 35.5 cm. Delteil 202; Harris 248 II. 1. Edition (before the number). - Very fine clear, strong and even early impression. The edges cut, mostly with small margin, the upper sheet edge with fine margin around the plate edge. Overall fine condition.

Lot 3463 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

GOYA, FRANCISCO DE (Fuendotodos 1746 - 1828 Bordeaux).Disparate femenino. Female foolishness. Sheet 1 of the suite: Los Proverbios. Etching with aquatint in sepia. 24.2 x 35.5 cm. Delteil 202; Harris 248 II. 1. Edition (before the number). - Very fine clear, strong and even early impression. The edges cut, mostly with small margin, the upper sheet edge with fine margin around the plate edge. Overall fine condition.

Disparate femenino. Weibliche Torheit. Blatt 1 der Folge: Los Proverbios. Radierung mit Aquatinta in Sepia. 24,2 x 35,5 cm. Delteil 202; Harris 248 II. 1. Edition (vor der Nummer). - Sehr schöner klarer, kräftiger, gleichmässiger und früher Druck. Die Ränder beschnitten, überwiegend mit kleinem Rand, der oberen Blattrand mit feinem Rändchen um die Plattenkante. - Insgesamt schöner Erhaltungszustand.

CHF 1 500 / 2 000 | (€ 1 550 / 2 060)

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GRAF, URS (Solothurn, circa 1485 - before 1528).Christ on the Cross between the thieves. Circa 1506. From the Passion. Wood cut, 22.1 x 15.4 cm. Bible print, verso with German text. Bartsch 2-t (459). - Very fine, deep black, even and clear impression with margin (ca. 1.5 cm) around the outer line. Very good condition. - Provenance: Unknown collector's stamp verso, not in Lugt.

Lot 3464 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

GRAF, URS (Solothurn, circa 1485 - before 1528).Christ on the Cross between the thieves. Circa 1506. From the Passion. Wood cut, 22.1 x 15.4 cm. Bible print, verso with German text. Bartsch 2-t (459). - Very fine, deep black, even and clear impression with margin (ca. 1.5 cm) around the outer line. Very good condition. - Provenance: Unknown collector's stamp verso, not in Lugt.

Christus am Kreuz zwischen den Dieben. Um 1506. Aus der Passion. Holzschnitt, 22,1 x 15,4 cm. Bibeldruck verso mit deutschem Text. Bartsch 2-t (459). - Sehr schöner, tiefschwarzer, gleichmässiger und klarer Druck mit Rand (ca. 1,5 cm) um die Einfassungslinie. Sehr guter Erhaltungszustand. - Provenienz: Unbekannter Sammlungsstempel verso, nicht bei Lugt.

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MERCATOR - HONDIUS - DOUBLE PORTRAIT Double portrait of G. Mercator and J. Hondius: Gerardus Mercator Natus Iudocus Hondius Natus... Copper engraving with original colour. 38.5 x 44.5 cm. From: Gerardi Mercatoris - Atlas sive Cosmographicae Meditationes de Fabrica Mundi et Fabricati Figura. J. Hondius Jr. 1613-19. Van der Krogt 1, 104. Verso text in Latin. - Fine impression with margin around the partly visible plate edge. Lower right corner restored; with scattered small tears, some of which reach just into the image. Old restoration of two of the year numbers in black in. Overall good condition.

Lot 3465 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

MERCATOR - HONDIUS - DOUBLE PORTRAIT Double portrait of G. Mercator and J. Hondius: Gerardus Mercator Natus Iudocus Hondius Natus... Copper engraving with original colour. 38.5 x 44.5 cm. From: Gerardi Mercatoris - Atlas sive Cosmographicae Meditationes de Fabrica Mundi et Fabricati Figura. J. Hondius Jr. 1613-19. Van der Krogt 1, 104. Verso text in Latin. - Fine impression with margin around the partly visible plate edge. Lower right corner restored; with scattered small tears, some of which reach just into the image. Old restoration of two of the year numbers in black in. Overall good condition.

Doppelporträt von G. Mercator und J. Hondius: Gerardus Mercator Natus Iudocus Hondius Natus… Altkol. Kupferstich, 38,5 x 44,5 cm. Aus: Gerardi Mercatoris - Atlas sive Cosmographicae Meditationes de Fabrica Mundi et Fabricati Figura. J. Hondius Jr. 1613-19. Van der Krogt 1, 104. Verso mit lateinischem Text. - Schöner Druck mit Rand um die teilweise sichtbare Plattenkante. Die rechte untere Ecke ergänzt, mit einzelnen kleinere Läsuren, die teils bis knapp in die Darstellung reichen. Mit schwarzer Feder von alter Hand zwei Jahreszahlen ergänzt. - Insgesamt noch in guter Erhaltung.

CHF 900 / 1 200 | (€ 930 / 1 240)

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PIRANESI, GIOVANNI BATTISTA Lot of 2 sheets.: 1. Tempio di Giove Tonante. Etching, 13.5 x 26.5 cm. 2. Vestigi del Tempio di Giove Statore. Etching, 12.5 x 26.5 cm. From the suite: Alcune Vedute di Archi Trionfali

Lot 3466 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

PIRANESI, GIOVANNI BATTISTA Lot of 2 sheets.: 1. Tempio di Giove Tonante. Etching, 13.5 x 26.5 cm. 2. Vestigi del Tempio di Giove Statore. Etching, 12.5 x 26.5 cm. From the suite: Alcune Vedute di Archi Trionfali

Lot von 2 Bll.: 1. Tempio di Giove Tonante. Radierung, 13,5 x 26,5 cm. 2. Vestigi del Tempio di Giove Statore. Radierung, 12,5 x 26,5 cm. Aus der Folge: Alcune Vedute di Archi Trionfali

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REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606- 1669 Amsterdam).The circumcision in the barn. Etching, 9.4 x 14.4 cm. Bartsch 47; Nowell-Usticke 47 II /III (of III, shadow of Joseph's head still faintly visible). Framed. - With margin (of 1.5 to 2.2 cm) around the plate edge, with minor foxing on margin. Overall good condition.

Lot 3468 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606- 1669 Amsterdam).The circumcision in the barn. Etching, 9.4 x 14.4 cm. Bartsch 47; Nowell-Usticke 47 II /III (of III, shadow of Joseph's head still faintly visible). Framed. - With margin (of 1.5 to 2.2 cm) around the plate edge, with minor foxing on margin. Overall good condition.

Die Beschneidung im Stall. Radierung, 9,4 x 14,4 cm. Bartsch 47; Nowell-Usticke 47 II /III (von III, die Schattierungen auf dem Kopf des Josef noch schwach erkennbar). Gerahmt. - Mit Rand (von 1,5 bis 2,2 cm) um die Plattenkante. dort minim stockfleckig. Insgesamt gut erhalten.

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REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 -1669 Amsterdam).Travelling musicians. Circa 1635. Etching, 14.2 x 12.5 cm. Bartsch 119; White Boon (Hollstein) 119 II; Nowel-Usticke 119 III (of III). Framed. - Strong, clear and even impression with small margin around the plate edge. The lower right corner with short black pen mark, verso some old inscriptions in red chalk. Minor browning in places. Overall good condition.

Lot 3469* - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 -1669 Amsterdam).Travelling musicians. Circa 1635. Etching, 14.2 x 12.5 cm. Bartsch 119; White Boon (Hollstein) 119 II; Nowel-Usticke 119 III (of III). Framed. - Strong, clear and even impression with small margin around the plate edge. The lower right corner with short black pen mark, verso some old inscriptions in red chalk. Minor browning in places. Overall good condition.

Die wandernden Musikanten. Um 1635. Radierung, 14,2 x 12,5 cm. Bartsch 119; White Boon (Hollstein) 119 II; Nowel-Usticke 119 III (von III). Gerahmt. - Kräftiger, klarer und gleichmässiger Druck mit kleinem Rändchen um die Plattenkante. Die untere rechte Ecke mit kurzem schwarzem Federstrich, verso mit roter Kreide wenige alte Bezeichnungen. Stellenweise minim gebräunt. Insgesamt in guter Erhaltung.

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REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 -1669 Amsterdam).Christ drives the traders from the Temple. Etching, 13.6 x 16.6 cm. Engraved signature and date lower right. Rembrandt f. 1635. Bartsch 69; White/Boon (Hollstein) II, Nowell-Usticke 69 probably VI/VII (of VII). Even, clear and finely drawn impression with margin (ca. 1.5 cm) around the plate edge. A tiny thin area on the right margin. Slightly sunned. Overall very fine condition.

Lot 3470 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

REMBRANDT, HARMENSZ VAN RIJN (Leiden 1606 -1669 Amsterdam).Christ drives the traders from the Temple. Etching, 13.6 x 16.6 cm. Engraved signature and date lower right. Rembrandt f. 1635. Bartsch 69; White/Boon (Hollstein) II, Nowell-Usticke 69 probably VI/VII (of VII). Even, clear and finely drawn impression with margin (ca. 1.5 cm) around the plate edge. A tiny thin area on the right margin. Slightly sunned. Overall very fine condition.

Christus treibt die Händler aus dem Tempel. Radierung, 13,6 x 16,6 cm. Unten rechts gestochen signiert und datiert. Rembrandt f. 1635. Bartsch 69; White/Boon (Hollstein) II, Nowell-Usticke 69 wohl VI/VII (von VII). Mit den Kreuzschraffuren zwischen der rechten Hand Christi und dem Kopf des Sitzenden und den diagonalen Schraffuren in der äusseren linken Ecke. Gerahmt. - Gleichmässiger, klarer und feinzeichnender Druck mit Rand (ca. 1,5 cm) um die Plattenkante. Eine winzige Dünnstelle am rechten Rand. Leicht lichtrandig. Insgesamt in sehr schöner Erhaltung.

CHF 1 800 / 2 500 | (€ 1 860 / 2 580)

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REMBRANDT, HARMENSZ VAN RIJN (Leiden1606 - 1669 Amsterdam).The great raising of Lazarus. Circa 1632. Etching, 36.1 x 25 cm. Bartsch 73; Hollstein 73 X (of X,); Nowell Usticke 73 probably X (of X). - Fine, strong and even impression with small margin around the plate edge. Some weak spots and minor foxing. Scattered small scratches. Verso remains of old mount. Old collector's stamp (cut) Overall good condition.

Lot 3471* - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

REMBRANDT, HARMENSZ VAN RIJN (Leiden1606 - 1669 Amsterdam).The great raising of Lazarus. Circa 1632. Etching, 36.1 x 25 cm. Bartsch 73; Hollstein 73 X (of X,); Nowell Usticke 73 probably X (of X). - Fine, strong and even impression with small margin around the plate edge. Some weak spots and minor foxing. Scattered small scratches. Verso remains of old mount. Old collector's stamp (cut) Overall good condition.

Die grosse Auferweckung des Lazarus. Um 1632. Radierung, 36,1 x 25 cm. Bartsch 73; Hollstein 73 X (von X, mit der Überarbeitung im Vorhang und in der Handinnenfläche des Mannes rechts); Nowell Usticke 73 wohl X (von X). Gerahmt. - Schöner, kräftiger und gleichmässiger Druck mit kleinem Rändchen um die Plattenkante. Stellenweise schwache Flecken und wenig stockfleckig. Einzelne kleine Kratzer. Verso Reste alter Montierungen. Dort mit altem Sammlungsstempel (beschnitten). Insgesamt in guter Erhaltung.

CHF 2 000 / 3 000 | (€ 2 060 / 3 090)

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BOTANY.-Basilius Besler (1561-1629). I. Herba Paris. II. Digitalis flori mcarnato. III. Digitalis flore luteo. Copper engraving with original colour on handmade paper. 49 x 41 cm.(image). From: Hortus Eystettensis, Eichstätt and others, circa/after 1613. Framed.

Lot 3472* - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

BOTANY.-Basilius Besler (1561-1629). I. Herba Paris. II. Digitalis flori mcarnato. III. Digitalis flore luteo. Copper engraving with original colour on handmade paper. 49 x 41 cm.(image). From: Hortus Eystettensis, Eichstätt and others, circa/after 1613. Framed.

Basilius Besler (1561-1629). I. Herba Paris. II. Digitalis flori mcarnato. III. Digitalis flore luteo. Altkol. Kupferstich auf Bütten, 49 x 41 cm.(licht). Aus: Hortus Eystettensis, Eichstätt u.a., um/nach 1613. Gerahmt.

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BOTANY.-Basilius Besler (1561-1629), circa/after 1613. I. Mandragora foemina II. Chelidonnium minus. Copper engraving with original colour on handmade paper, 47 x 39 cm. From: "Hortus Eystettensis", Eichstätt and others, circa 1613. - Fine colour. Very good condition.

Lot 3473* - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

BOTANY.-Basilius Besler (1561-1629), circa/after 1613. I. Mandragora foemina II. Chelidonnium minus. Copper engraving with original colour on handmade paper, 47 x 39 cm. From: "Hortus Eystettensis", Eichstätt and others, circa 1613. - Fine colour. Very good condition.

Basilius Besler (1561-1629), um/nach 1613. I. Mandragora foemina II. Chelidonnium minus. Altkol. Kupferstich auf Bütten, 47 x 39 cm. Aus: "Hortus Eystettensis", Eichstätt u.a., um 1613. - In schönem Kolorit der Zeit. Sehr guter Erhaltungszustand.

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BOTANY.-Basilius Besler (1561-1629), circa/after 1613. I. Chirstus flore albo. II. Balaustium flor minori Romanum III. Cotinus. Copper engraving with original colour on handmade paper, 47.5 x 39 cm. From: "Hortus Eystettensis", Eichstätt and others., circa 1613. - Strong impression with fine colour. With margin around the plate edge. Very good condition.

Lot 3474* - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

BOTANY.-Basilius Besler (1561-1629), circa/after 1613. I. Chirstus flore albo. II. Balaustium flor minori Romanum III. Cotinus. Copper engraving with original colour on handmade paper, 47.5 x 39 cm. From: "Hortus Eystettensis", Eichstätt and others., circa 1613. - Strong impression with fine colour. With margin around the plate edge. Very good condition.

Basilius Besler (1561-1629), um/nach 1613. I. Chirstus flore albo. II. Balaustium flor minori Romanum III. Cotinus. Altkol. Kupferstich auf Bütten, 47,5 x 39 cm. Aus: "Hortus Eystettensis", Eichstätt u.a., um 1613. - Kräftiger Abdruck in schönem Kolorit der Zeit. Mit Rand um die Plattenkante. Sehr guter Erhaltungszustand.

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ZOOLOGY.-German, end of the 18th century. Lot of 44 sheets. With images mostly of apes (4 of bats). Engravings with original colour on handmade paper, 61.5 x 44 cm (sheet size). Each entitled in Latin and German on lower plate edge. - of the 44 plates, 8 are duplicate.

Lot 3475 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

ZOOLOGY.-German, end of the 18th century. Lot of 44 sheets. With images mostly of apes (4 of bats). Engravings with original colour on handmade paper, 61.5 x 44 cm (sheet size). Each entitled in Latin and German on lower plate edge. - of the 44 plates, 8 are duplicate.

Deutsch, Ende 18. Jh.. Lot von 44 Bll. mit Darstellungen überwiegend von Affen, (darunter 4 Bll. mit Darstellungen von Fledermäusen). Altkol. Kupferstiche auf Bütten, 61,5 x 44 cm (Blattgrösse). Jeweils im unteren Plattenrand in lateinischer und deutscher Sprache betitelt. - Von den 44 Tafeln sind insgesamt 8 Darstellungen doppelt vorhanden.

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POSTER.-Henry Privat-Livemont (1861-1936). CABOURG, 1896. Colour lithograph, 73.7 x 106.7 cm. pub by P.Leménil, prntr. DFP-II 1061, Maitres 88. -Horizontal and vertical creases, crumpled on the edges. Laid on canvas. Small areas of damage.

Lot 3476 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

POSTER.-Henry Privat-Livemont (1861-1936). CABOURG, 1896. Colour lithograph, 73.7 x 106.7 cm. pub by P.Leménil, prntr. DFP-II 1061, Maitres 88. -Horizontal and vertical creases, crumpled on the edges. Laid on canvas. Small areas of damage.

Henry Privat-Livemont (1861-1936). CABOURG, 1896. Farblithographie, 73,7 x 106,7 cm. Bei P.Leménil, prntr. DFP-II 1061, Maitres 88. - Horizontale und vertikale Knickspuren, An den Rändern knittrig. Auf Leinwand aufgezogen. Kleinere Erhaltungsschäden.

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POSTER.-Emile Cardinaux, 1916. Rhätische Bahn Graubünden, Silsersee Oberengadin. Colour lithograph, 128 x 90 cm. Pub: Graph. Anstalt. J.E. Wolfensberger, Zurich. Framed.

Lot 3477 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

POSTER.-Emile Cardinaux, 1916. Rhätische Bahn Graubünden, Silsersee Oberengadin. Colour lithograph, 128 x 90 cm. Pub: Graph. Anstalt. J.E. Wolfensberger, Zurich. Framed.

Emile Cardinaux, 1916. Rhätische Bahn Graubünden, Silsersee Oberengadin. Farblithographie, 128 x 90 cm. Bei: Graph. Anstalt. J.E. Wolfensberger, Zürich. Gerahmt.

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POSTER.-Anonymous. Uetliberg:Bahn 1897. Colour lithograph, 100 x 70 cm.

Lot 3478 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

POSTER.-Anonymous. Uetliberg:Bahn 1897. Colour lithograph, 100 x 70 cm.

Anonym. Uetliberg:Bahn 1897. Farblithographie, 100 x 70 cm.

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POSTER.-Emil Cardinaux., 1909. Dolder Zürich. Dolderbahn. Timetable. Colour lithograph, 75 x 114 cm. Pub by: Graph. Anstalt. J.E. Wolfensberger Zurich.

Lot 3479 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

POSTER.-Emil Cardinaux., 1909. Dolder Zürich. Dolderbahn. Timetable. Colour lithograph, 75 x 114 cm. Pub by: Graph. Anstalt. J.E. Wolfensberger Zurich.

Emil Cardinaux., 1909. Dolder Zürich. Dolderbahn. Fahrplan. Farblithographie, 75 x 114 cm. Bei: Graph. Anstalt. J.E. Wolfensberger Zürich.

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POSTER.-Steamer on the eastern section of Lake Zurich, 1899. Colour lithograph, 80 x 62.5 cm. Lithographische Kunstanstalt vorm. Frey & Conrad Zurich. - Rare.

Lot 3480 - A160 Old Master Prints - Friday 30 March 2012, 11.00 AM

POSTER.-Steamer on the eastern section of Lake Zurich, 1899. Colour lithograph, 80 x 62.5 cm. Lithographische Kunstanstalt vorm. Frey & Conrad Zurich. - Rare.

Dampfschiffahrt auf dem oberen Zürich-See, 1899. Farblithographie, 80 x 62,5 cm. Lithographische Kunstanstalt vorm. Frey & Conrad Zürich. - Selten.

CHF 700 / 900 | (€ 720 / 930)

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