老大师素描画
Freitag 22 März 2013, 01.30 PM
VENETIAN SCHOOL, CIRCA 1600 John the Apostle. Pen and brush in brown, heightened with white. With traces of grey pen. Old inscription lower left in pen: Salviati. 22 x 11.5 cm. Framed.
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ITALIAN SCHOOL, END OF THE 16TH CENTURY Male torso. Verso: Madonna and Child. Red chalk. 16 x 13.8 cm. Framed.
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FLORENTINE SCHOOL, END OF THE 16TH CENTURY Two standing women, the figure on the left almost facing, the figure on the right in profile to the right. Red chalk drawing. 36.4: x 24.3 cm. Provenance: -collection of G. Vallardi (1784-1863), Lugt 1223 - Private collection Munich
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Circle of ANTONILEZ, JOSE (Seville 1639 - 1676 Madrid), The Assumption of Mary. Circa 1670. Brown pen, watercolour and gouache, heightened with white. Old inscription lower right in black pen: Guardi. 45.3 x 29.8 cm. Framed. Provenance: - collection of Kurt Meissner, Zurich Exhibitions: - Kunsthalle Bremen/Kunsthaus Zürich 1967, Handzeichnungen alter Meister aus Schweizer private collection , Exh. Cat. , No.223 with ill.
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MAGANZA, ALESSANDRO (1556 Vicenza 1632) Mary receives the Holy Ghost, surrounded by saints. Pen and brush in brown. 24.5 x 20 cm.
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ITALIAN SCHOOL, 17TH CENTURY The Assumption of Mary. Brown pen, black crayon. Old inscription verso on back panel: Beau dessin de Titien 34.5 x 21 cm. Framed. Provenance: - J.G.H.Winkler (b. 1822), Hamburg and London, Lugt 2702 - unidentified collector’s stamp verso
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PITTONI, GIAMBATTISTA (1687 Venice 1767) Pieta. Pen and brush in brown, brown wash over black crayon. Edging in black pen, inscribed lower left "Pittoni". 26.2 x 17.3 cm. Provenance: - Dr. K. Löchner, Senden, not in Lugt With an expertise by Dr. George Knox, Vancouver, 13.02.2009.
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Workshop of SANTI, RAFFAELLO
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BASSETTI, MARCO ANTONIO (1588 Verona 1630) Four depictions of the senses: 1. Taste 2. Sight. 3. Smell 4. Hearing. Verso: figure studies. Brown pen, brown wash. 13.2 x 8.3 cm, 13.2 x 8 cm, 13 x 9.1 cm, 13.5 x 9.5 cm. Framed together Provenance: - collection of Girgio dalla Bella, Lugt 3774 Literature: - Ugo Ruggeri. Disegni Veneti e Lombardi dal XVI al XVIII secolo. Catalogue of the Istituto Nazionale per la Grafica Gabinetto dei Disegni e delle Stampe. Rome 1989. p. 15 and 16, figs. 4-7
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Attributed to PINELLI, BARTOLOMEO (1781 Rome 1835), Bacchante. Black pen. 19.7 x 18.3 cm. Provenance: - Galerie Kurt Meissner, Zurich
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VENETIAN SCHOOL, 19TH CENTURY The Grand Canal in Venice. Brown and black pen. 26 x 44 cm. Old gold frame.
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Follower of GUARDI, GIACOMO (1764 Venice 1835), San Giorgio Maggiore in Venice. Brown pen, brown wash. 18.5 x 32.5 cm. Framed.
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Circle of BRIL, PAUL (Antwerp 1556 - 1626 Rome), Landscape with three figures, one hidden behind a tree. Brown pen. Numbered to the left on lower margin in brown pen: 556 (?) 15.2 x 20.8 cm. Framed.
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Circle of SNYDERS, FRANS (1579 Antwerp 1657), Head of a wolf. Red chalk. 11.5 x 17 cm.
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FRENCH SCHOOL, 18TH CENTURY The gardens of Olympus with muses and putti. Design for a fan. Gouache on paper, laid on panel. 28 x 54 cm. Framed.
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LALLEMAND, JEAN BAPTISTE (Dijon 1716 - 1803 Paris) 1. Harbour view with Palladian style palace. 2. Harbour view with tower, seen through an antique arch. Gouache on paper, laid on canvas. The first signed lower right: 'Lall.../man..."; the second signed: Lallemand. Each 20.8 x 36.2 cm. Framed.
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ANONYMOUS, 18TH CENTURY Oriental landscape with exotic animals and plants. Design for a fan. Gouache, with gold and heightened with white. 24.5 x 46 cm. Framed.
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EISEN, CHARLES DOMINIQUE JOSEPH (Valenciennes 1720 - 1778 Brussels) Le buveur entreprenant, 1769. Grey and brown pen, with grey wash, black chalk and watercolour. Signed and dated centre bottom: J.C. Eisen fecit 1769. 13 x 9.5 cm. Framed.
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Attributed to CALLOT, JACQUES (1592 Nancy 1635) Studies of different figures. Verso: two studies of hands and four putti. Red chalk and red-brown wash. On laid paper with watermark: single contour circle with flower in the centre. 26.9 x 20 cm. Framed. Provenance: - collection of Count G.Strogonoff. Sold in Rome, 18.-23. April 1910 No. 392 as Callot - Private collection, Switzerland
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DESPREZ, LOUIS- JEAN (Auxerre 1743 - 1804 Stockholm) The antique theatre of Taormina with a view of Etna. Watercolour on paper laid on canvas. 68 x 103 cm. Old gold frame.
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ANONYMOUS, 1ST HALF OF THE 19TH CENTURY The statue of the Farnese Hercules from the front. Verso: the sculpture from the side. Red chalk. 41 x 26 cm. Framed.
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Attributed to CHODOWIECKI, DANIEL NIKOLAUS (Danzig 1726 - 1801 Berlin), Seated male nude. Red chalk. 52.8 x 40 cm (image). Framed.
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CHODOWIECKI, DANIEL NICOLAUS (Danzig 1726 - 1801 Berlin) Scenes from the life of Ludwig and Luise Hermann as children. Pen and brush in grey and black, with wash, on vellum. 5.2 x 7.2 cm. Framed.
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DUNKER, BALTHASAR ANTON (Saal/Vorpommern 1746 - 1807 Bern) Old barn by a rushing stream, two goats in the foreground. Black crayon, grey and brown pen, with wash and watercolour. Signed and dated lower right in black pen: Dunker 1797. 26 x 21.5 cm (image). Framed.
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GESSNER, SALOMON (1730 Zurich 1788) Forest edge with cattle and figures. Pen and brush in grey over pencil, on laid paper with watermark: Pro Patria. With double grey pen line around and with a three-part pen line on the sides. 17.1 x 24.7 cm.
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