拍品 1054 ♣ - A210 家具、瓷器&银器 - Donnerstag, 19. September 2024, 02.00 PM
A GROUP OF IVORY FIGURES: PIETÀ WITH ANGELS
Probably German, ca. 1680/1700.
A Multi-part ivory figure carved in high relief. Central figure with the body of Christ on the knees of Mary, the Mother of God, flanked by two standing, draped angels and two further seated cupids, one holding the hand of Christ. Expressive poses and finely worked drapery. A small mounting hole in the center at the top.
20 × 20 cm.
含有象牙、犀牛角及/或其他瀕危或受保護物種物質的拍賣品，在本目錄中特別註有♣符號。一些國家禁止或限制進口或出口含有象牙、犀牛角及/或源於其他瀕危或受保護物種的物品。因此，若您拍賣購得標有♣的物品，並擬運往其他國家，您應在拍賣前了解及遵守所有相關海關的規則及法規。
The wings of the standing angels are nailed on. Losses to the fingers of Mary, to the right hand of the right angel, and to the right hand of the left angel. Cracks, rubbing and minor chips.
Provenance:
- Maria Baer, London, 1 February 1978.
- Collection Dr. E. Boehlen, Berne, acquired from the above gallery.
Although no direct model for this group of figures is known and the geographical attribution is also unclear, the volumetry and fullness of Mary's figure is reminiscent of Michelangelo's Pietà of 1498/99, although the Christ figure is more reminiscent of Northern European works. Even if the attribution to the sculptor Georg Petel proposed by the late collector Dr. E. Boehlen is not tenable according to current knowledge, the facial physiognomy and the carving of the Christ figure's hair are remotely reminiscent of works by the latter (cf. Norbert Lieb & Theodor Müller: Georg Petel. Berlin 1973, cat. 3, figs. 6 and 7 and cat. 13, figs. 49 and 50). The absence of an attribution to date in no way detracts from the work, as the carving captivates with its expressiveness and the tragic gestures and facial expressions of the protagonists.
Due to the use of protected materials and the lack of documentation, this object cannot be exported from Switzerland.
Provenance:
- Maria Baer, London, 1 February 1978.
- Collection Dr. E. Boehlen, Berne, acquired from the above gallery.
Although no direct model for this group of figures is known and the geographical attribution is also unclear, the volumetry and fullness of Mary's figure is reminiscent of Michelangelo's Pietà of 1498/99, although the Christ figure is more reminiscent of Northern European works. Even if the attribution to the sculptor Georg Petel proposed by the late collector Dr. E. Boehlen is not tenable according to current knowledge, the facial physiognomy and the carving of the Christ figure's hair are remotely reminiscent of works by the latter (cf. Norbert Lieb & Theodor Müller: Georg Petel. Berlin 1973, cat. 3, figs. 6 and 7 and cat. 13, figs. 49 and 50). The absence of an attribution to date in no way detracts from the work, as the carving captivates with its expressiveness and the tragic gestures and facial expressions of the protagonists.
Due to the use of protected materials and the lack of documentation, this object cannot be exported from Switzerland.
CHF 14 000 / 24 000 | (€ 14 430 / 24 740)