拍品 3409* - A203 战后和当代 - Donnerstag, 01. Dezember 2022, 02.00 PM
MARK TOBEY
(Centerville 1890–1976 Basel)
Untitled. 1969.
Tempera on styrofoam.
Signed and dated lower left: Tobey 69.
100 × 50 cm.
With the confirmation of authenticity by the Committee Mark Tobey, Münster 10 April 2019. This work is recorded under the archive number: 10/04/19-69.34.
Provenance: Formerly Collection K.& M. Schaub, Basel (directly purchased from the artist).
Exhibitions:
- Basel 1982, Galerie Jacqueline Schotland.
- Selm 1993, Mark Tobey. Schloss Cappenberg.
- Iserlohn 1997, Temperabilder, Graphik. Kunstverein Villa Wessel.
- Burgrieden-Rot 2001, Schnittstellen. Westliche Moderne und die Kulturen Asiens II, Museum Villa Rot.
"I often think of Chopin when I work. From time to time I have ideas, sometimes I don’t have any at all. Ideas come to me in the course of my creative work. A composer, once he has as his point of departure a series of sounds he can compose an entire symphony." Mark Tobey
Mark Tobey, painter, poet, composer, and important pioneer of Abstract Expressionism, was one of the best-known American artists of the 20th century. His artistic world is complex and is characterised by an almost inexhaustible potential for creativity, love of experimentation and the power to innovate. With his distinctive approach to abstraction and fusion of elements of Western modernism with components of Far Eastern calligraphy, Tobey created something unique and extraordinarily radiant.
This magnificent work, created in 1969, features an energetic internal design with broad white, black and dark red flowing lines, all-over reticulated structures, and calligraphic swirls against a bold red background. For Tobey, the white lines in motion symbolise a unifying idea that flows through the subdivided units of life, bringing a dynamism to people's minds and constantly expanding their energies to a greater scale. In the complexity of its movement, optical rhythms and musical vibrations, the present work not only intensely challenges the viewer's subjective perception but invites them to embark on a contemplative journey. Painting on polystyrene - as in the work offered here - presented a particular challenge for Tobey due to the bluntness and resistance of the material. This unique composition reveals a wide range of Tobey's themes and interests: nature, civilisation, cities, movement, the sky and the cosmos, emptiness, and contemplation, as well as rhythm and music.
Provenance: Formerly Collection K.& M. Schaub, Basel (directly purchased from the artist).
Exhibitions:
- Basel 1982, Galerie Jacqueline Schotland.
- Selm 1993, Mark Tobey. Schloss Cappenberg.
- Iserlohn 1997, Temperabilder, Graphik. Kunstverein Villa Wessel.
- Burgrieden-Rot 2001, Schnittstellen. Westliche Moderne und die Kulturen Asiens II, Museum Villa Rot.
"I often think of Chopin when I work. From time to time I have ideas, sometimes I don’t have any at all. Ideas come to me in the course of my creative work. A composer, once he has as his point of departure a series of sounds he can compose an entire symphony." Mark Tobey
Mark Tobey, painter, poet, composer, and important pioneer of Abstract Expressionism, was one of the best-known American artists of the 20th century. His artistic world is complex and is characterised by an almost inexhaustible potential for creativity, love of experimentation and the power to innovate. With his distinctive approach to abstraction and fusion of elements of Western modernism with components of Far Eastern calligraphy, Tobey created something unique and extraordinarily radiant.
This magnificent work, created in 1969, features an energetic internal design with broad white, black and dark red flowing lines, all-over reticulated structures, and calligraphic swirls against a bold red background. For Tobey, the white lines in motion symbolise a unifying idea that flows through the subdivided units of life, bringing a dynamism to people's minds and constantly expanding their energies to a greater scale. In the complexity of its movement, optical rhythms and musical vibrations, the present work not only intensely challenges the viewer's subjective perception but invites them to embark on a contemplative journey. Painting on polystyrene - as in the work offered here - presented a particular challenge for Tobey due to the bluntness and resistance of the material. This unique composition reveals a wide range of Tobey's themes and interests: nature, civilisation, cities, movement, the sky and the cosmos, emptiness, and contemplation, as well as rhythm and music.
CHF 50 000 / 70 000 | (€ 51 550 / 72 160)
以瑞士法郎銷售 CHF 67 400 (包含買家佣金)
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