![MAURICE DENIS Danses d'Alceste, Paysage d'Albano. 1904. Ansicht 1](/CatCache/catcache.3/pictures/513167/513167_fm_1.jpg)
拍品 3214* - A203 印象派&现代主义 - Freitag, 02. Dezember 2022, 04.30 PM
MAURICE DENIS
(Granville 1870–1943 Saint-Germain-en-Laye)
Danses d'Alceste, Paysage d'Albano. 1904.
Oil on canvas.
Signed and dated lower left: MAVRICE DENIS 1904.
80 × 108 cm.
We would like to thank Claire Denis for confirming the authenticity of the work, October 2022.
Provenance:
- Galerie Eugène Druet, Paris.
- Alfred und Hanna Wolff collection, Munich/Berlin, acquired from the above gallery in 1905 and since then owned by the same family.
Exhibited:
- Paris 1904, Maurice Denis. Etudes d'Italie, 1898–1904, Galerie Druet, no. 19.
- Munich 1964, Secession. Europäische Kunst um die Jahrhundertwende, Haus der Kunst, no. 104 or 110.
- Stuttgart 2011, Malerei & Plastik, 19.–21. Jahrhundert, Kunsthaus Bühler, ill. p. 38.
- Weimar 2013, Leidenschaft, Funktion und Schönheit. Henry van de Velde und sein Beitrag zur europäischen Moderne, Neues Museum, no. 17 (with ill. p. 142).
- Brussels 2013–2014, Henry van de Velde. Passion Fonction Beauté, Musée du Cinquantenaire, no. 11.11.
Literature:
Thomas Föhl und Stephan Wolff: Alfred Wolff und Henry van de Velde. Sammelleidenschaft und Stil, Berlin 2018, p. 116, no. 83 (with ill.), p. 98 and p. 246.
The motif of the present painting is borrowed from Greek mythology: Alcestis, the most beautiful daughter of Pelias, the king of Iolcus and son of Poseidon, sacrificed herself in place of her husband, Admetos, but was then saved and able to return to him unscathed.
This motif was not only popular in the visual arts, but also in literature and music. From the end of the seventeenth century to the end of the eighteenth century, five operas were composed on this theme. Hugo von Hofmannsthal, who incidentally belonged to a circle of artist friends with whom the Wolffs also met regularly, wrote the drama Alkestis in 1911.
The painting's impressive size and variety of colours alone are captivating. Denis has completely reinterpreted the classic model of an Italian landscape (see the Paysage d'Albano mentioned in the title) as a secondary backdrop for the meaningful figurative scene (here the Tragedy of Alceste).
In 1906, the Wolffs had a doll's house made for their daughter Marcella that exactly reproduced in miniature the furnishings of the rooms of their home in Munich. A miniature version of Denis's 'Danses d’Alceste, Paysage d'Albano' was reproduced on one wall of the salon (Fig. 1).
Provenance:
- Galerie Eugène Druet, Paris.
- Alfred und Hanna Wolff collection, Munich/Berlin, acquired from the above gallery in 1905 and since then owned by the same family.
Exhibited:
- Paris 1904, Maurice Denis. Etudes d'Italie, 1898–1904, Galerie Druet, no. 19.
- Munich 1964, Secession. Europäische Kunst um die Jahrhundertwende, Haus der Kunst, no. 104 or 110.
- Stuttgart 2011, Malerei & Plastik, 19.–21. Jahrhundert, Kunsthaus Bühler, ill. p. 38.
- Weimar 2013, Leidenschaft, Funktion und Schönheit. Henry van de Velde und sein Beitrag zur europäischen Moderne, Neues Museum, no. 17 (with ill. p. 142).
- Brussels 2013–2014, Henry van de Velde. Passion Fonction Beauté, Musée du Cinquantenaire, no. 11.11.
Literature:
Thomas Föhl und Stephan Wolff: Alfred Wolff und Henry van de Velde. Sammelleidenschaft und Stil, Berlin 2018, p. 116, no. 83 (with ill.), p. 98 and p. 246.
The motif of the present painting is borrowed from Greek mythology: Alcestis, the most beautiful daughter of Pelias, the king of Iolcus and son of Poseidon, sacrificed herself in place of her husband, Admetos, but was then saved and able to return to him unscathed.
This motif was not only popular in the visual arts, but also in literature and music. From the end of the seventeenth century to the end of the eighteenth century, five operas were composed on this theme. Hugo von Hofmannsthal, who incidentally belonged to a circle of artist friends with whom the Wolffs also met regularly, wrote the drama Alkestis in 1911.
The painting's impressive size and variety of colours alone are captivating. Denis has completely reinterpreted the classic model of an Italian landscape (see the Paysage d'Albano mentioned in the title) as a secondary backdrop for the meaningful figurative scene (here the Tragedy of Alceste).
In 1906, the Wolffs had a doll's house made for their daughter Marcella that exactly reproduced in miniature the furnishings of the rooms of their home in Munich. A miniature version of Denis's 'Danses d’Alceste, Paysage d'Albano' was reproduced on one wall of the salon (Fig. 1).
CHF 90 000 / 120 000 | (€ 92 780 / 123 710)
以瑞士法郎銷售 CHF 69 638 (包含買家佣金)
所有信息随时可能更改。